[...] A script typeface with a soft brush homely feeling created by Francesco Canovaro.

Bimbo ("baby" in Italian) is a monoline script font family created in 2018 by Francesco Canovaro for Zetafonts as an extension & redesign of the original Arsenale White typeface created with italian illustrator Jonathan Calugi. Bimbo expands the original design with six new weights and over 300 new characters to cover over 70 languages using the latin, greek and cyrillic alphabets, while keeping the handmade aesthetic that made [...] Bimbo ("baby" in Italian) is a monoline script font family created in 2018 by Francesco Canovaro for Zetafonts as an extension & redesign of the original Arsenale White typeface created with italian illustrator Jonathan Calugi. Bimbo expands the original design with six new weights and over 300 new characters to cover over 70 languages using the latin, greek and cyrillic alphabets, while keeping the handmade aesthetic that made successful the original font. Bimbo is essentially a display font, born for minimal lettering and logos, with a handwritten sensibility enhanced by the built-in letter swapping open type feature that makes sure double letters are always different one from another.  Open counters and a monoline design allow for great readability at small sizes, making Bimbo the ideal font for creating fake handwritten notes and metatextual jokes.

Hello Script is a high contrast calligraphic script designed by Cosimo Lorenzo Pancini, featuring monoline swashes and terminals and strong, round body shapes designed with a parallel nib. It covers over 40 languages that use the Latin alphabet, with full range of accents and diacritics, and comes with over ten different swashes and two decorative fill typefaces (Hello Script Fill and Hello Script Striped Fill) to use as multilayer colour [...] Hello Script is a high contrast calligraphic script designed by Cosimo Lorenzo Pancini, featuring monoline swashes and terminals and strong, round body shapes designed with a parallel nib. It covers over 40 languages that use the Latin alphabet, with full range of accents and diacritics, and comes with over ten different swashes and two decorative fill typefaces (Hello Script Fill and Hello Script Striped Fill) to use as multilayer colour fonts. The Hello family features a sans serif companion (Hello Sans) as well as a christmas-themed version (Hello Christmas) with a set of Icons (Hello Christmas Icons, designed by Cristiana Pezzatini), both featuring multilayer color fill. Please Notice: Hello Script makes full use of Open Type substitutions to avoid letter clashes in uppercase and provide ligature, alternate and end characters. Ending forms can be accessed through openscript by typing an underscore after the letter, while multiple hypens before and after a word provide additional flourishes. Some advanced features (alternate endings & ligatures) are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying! Older versions: Older, number-less versions for multi-size screen composing (Hello Script Large Size, Hello Script Small Size, Hello Script XXsmall Size) have been discontinued and are provided in the compatilbility pack to Hello Script. 

Kitten is a multi weight script family with a signpainter aestethic and a wide range of variants, alternates and ligatures designed by Cosimo Lorenzo Pancini, with cat dingbats designed by Isabella Ahmadzadeh. Kitten curvy, bold shapes in the regular weight are perfect for logo design and display use, while the clean lighter weights, as well as the Monoline and the condensed Slant variant, are perfect for longer text blocks. [...] Kitten is a multi weight script family with a signpainter aestethic and a wide range of variants, alternates and ligatures designed by Cosimo Lorenzo Pancini, with cat dingbats designed by Isabella Ahmadzadeh. Kitten curvy, bold shapes in the regular weight are perfect for logo design and display use, while the clean lighter weights, as well as the Monoline and the condensed Slant variant, are perfect for longer text blocks. Kitten covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics. It comes in five weights and has three style variants: Regular, Slant and Swash. Kitten makes full use of Open Type ligatures to avoid letter clashes in uppercase and provide alternates and a wide array of ligature characters for a more handmade, natural look. Swashes can be accessed through glyph palette or by typing one to six underscores after the letter. A space followed by one to eight underscores produces different cat silouhettes. Take care: open type features are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Check before buying!

Zerocalcare is a typeface family created for the branding of Lucca Comics & Games Festival 2016. It's based on the digitised handwriting of italian comic artist Zerocalcare, and it uses open type substitutions to mimick the flow of real handwriting. The family has been released under creative commons attribution noncommercial license and it is free for use for any personal, noncommercial project.

Arturo is a sans serif family designed by Francesco Canovaro as part of his research in the digital reinvention of handmade brush lettering. [...] Arturo is a sans serif family designed by Francesco Canovaro as part of his research in the digital reinvention of handmade brush lettering. Marrying a fun, playful approach to letterforms to the versatility of a text family with multiple weights and advanced features, Arturo comes in seven weights with matching italics, and sports a wide array of OpenType features including stylistic alternates, small caps and discretionary ligatures (providing options for display usage and fine-tuning in logo design) as well as more offbeat features as ordinals, superior and inferior numerals, tabular, lining and oldstyle figures and OpenType-generated fractions.  The family is complemented with a outline version that can be used on its own or together with the heavy weight  for multilayer color font inventions.

This typeface - the third in the Zetafonts Signature artist-designed fonts - was hand drawn by italian illustrator Matteo Berton and lovingly digitized by Zetafonts to be used as main lettering font of the graphic novel "Voyage au Centre de la Terre" edited by La Pasteque, a lavishly illustrated re-telling of the classic Jules Verne tale. [...] This typeface - the third in the Zetafonts Signature artist-designed fonts - was hand drawn by italian illustrator Matteo Berton and lovingly digitized by Zetafonts to be used as main lettering font of the graphic novel "Voyage au Centre de la Terre" edited by La Pasteque, a lavishly illustrated re-telling of the classic Jules Verne tale. Born to complement the artist unique digital painting style, the typeface follows the Didot proportions with handmade quirks and differences, made natural by the programmed randomization of three different sets of alphabetic glyphs, to give a consistent and realistic handmade look. The chalky, rough finish is designed mainly for small point text size, to give a natural appearence to small texts, captions and any time you need hand-written notes to look realistic, elegant and readable. The typeface covers over seventy languages using latin alphabet, and includes also cyrillic glyphs for basic russian coverage. It comes in two weights, both with multiple character sets, alternating thanks to open type ligatures.