Eastman Thin
Eastman Thin Italic
Eastman Extralight
Eastman Extralight Italic
Eastman Light
Eastman Light Italic
Eastman Regular Offset
Eastman Regular Offset Italic
Eastman Regular
Eastman Italic
Eastman Medium
Eastman Medium Italic
Eastman Bold
Eastman Bold Italic
Eastman Extrabold
Eastman Extrabold Italic
Eastman Black
Eastman Black Italic
Eastman Heavy
Eastman Heavy Italic
Eastman Alternate Thin
Eastman Alternate Thin Italic
Eastman Alternate Extralight
Eastman Alternate Extralight Italic
Eastman Alternate Light
Eastman Alternate Light Italic
Eastman Alternate Regular Offset
Eastman Alternate Regular Offset Italic
Eastman Alternate Regular
Eastman Alternate Italic
Eastman Alternate Medium
Eastman Alternate Medium Italic
Eastman Alternate Bold
Eastman Alternate Bold Italic
Eastman Alternate Extrabold
Eastman Alternate Extrabold Italic
Eastman Alternate Black
Eastman Alternate Black Italic
Eastman Alternate Heavy
Eastman Alternate Heavy Italic
Available Formats
Desktop Licenses
Extended Licenses
Scripts supported
Eastman was designed in 2020 for Zetafonts by Francesco Canovaro and Andrea Tartarelli with help from Solenn Bordeau. It is a geometric sans workhorse family developed for maximum versatility both in display and text use, with a wide weight range and a solid monolinear design featuring a tall x-height that makes Eastman extremely readable on paper and on the screen.
Influenced by Bauhaus ideals and contemporary minimalism, but with a nod to the pragmatic nature 19th century grotesques, Eastman has been developed as a highly reliable tool for design problem solving, and given all the features a graphic designer needs - from a wide language coverage (thanks to over one thousand and two hundred latin, cyrillic and greek characters) to a complete set of open type features (including small capitals, positional numbers, case sensitive forms).
An impressive array of alternate characters and stylistic sets allows to fine-tune your editorial and branding design by choosing unique, logo-ready variant letter shapes. The twenty weights of the base family have been complemented by a display-oriented alternate family, as well as one variable version, bringing the full family to an impressive count of 41 fonts. Eastman excels in both body text, headings and wordmarks and it is your new option for a universal geometric grotesque.
Weights
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CThin
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CExtralight
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CLight
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CRegular Offset
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CRegular
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CMedium
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CBold
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CExtrabold
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CBlack
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CHeavy
Features
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(HO!)Case-Sensitive Forms
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agStylistic Alternates
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AbagoSmall Capitals
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QkyStylistic Set 2
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GJQtStylistic Set 3
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agoStylistic Set 4
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efgjStylistic Set 5
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AEgStylistic Set 6
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ABEStylistic Set 7
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ÄÜTitling
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1/2Fractions
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1o2aOrdinals
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12360Oldstyle Figures
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123Tabular Figures
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H123Alternate Annotation Forms
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H123Denominators
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H123Subscript
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H123Superscript
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H123Scientific Inferiors
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H123Numerators
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01Slashed Zero
Variable Typefaces
Eastman Variable
VARIABLE FONTS ARE IN BETA VERSION, AVAILABLE ONLY WITH THE FULL FAMILY PACKAGE
The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.