Coco Sharp Extralight
Coco Sharp Extralight Italic
Coco Sharp Light
Coco Sharp Light Italic
Coco Sharp Regular
Coco Sharp Italic
Coco Sharp Bold
Coco Sharp Bold Italic
Coco Sharp Extrabold
Coco Sharp Extrabold Italic
Coco Sharp Heavy
Coco Sharp Heavy Italic
Coco Sharp L Extralight
Coco Sharp L Extralight Italic
Coco Sharp L Light
Coco Sharp L Light Italic
Coco Sharp L Regular
Coco Sharp L Italic
Coco Sharp L Bold
Coco Sharp L Bold Italic
Coco Sharp L Extrabold
Coco Sharp L Extrabold Italic
Coco Sharp L Heavy
Coco Sharp L Heavy Italic
Coco Sharp S Extralight
Coco Sharp S Extralight Italic
Coco Sharp S Light
Coco Sharp S Light Italic
Coco Sharp S Regular
Coco Sharp S Italic
Coco Sharp S Bold
Coco Sharp S Bold Italic
Coco Sharp S Extrabold
Coco Sharp S Extrabold Italic
Coco Sharp S Heavy
Coco Sharp S Heavy Italic
Coco Sharp X L Extralight
Coco Sharp X L Extralight Italic
Coco Sharp X L Light
Coco Sharp X L Light Italic
Coco Sharp X L Regular
Coco Sharp X L Italic
Coco Sharp X L Bold
Coco Sharp X L Bold Italic
Coco Sharp X L Extrabold
Coco Sharp X L Extrabold Italic
Coco Sharp X L Heavy
Coco Sharp X L Heavy Italic
Coco Sharp X S Extralight
Coco Sharp X S Extralight Italic
Coco Sharp X S Light
Coco Sharp X S Light Italic
Coco Sharp X S Regular
Coco Sharp X S Italic
Coco Sharp X S Bold
Coco Sharp X S Bold Italic
Coco Sharp X S Extrabold
Coco Sharp X S Extrabold Italic
Coco Sharp X S Heavy
Coco Sharp X S Heavy Italic
Coco Sharp is the newest evolution of the Coco typographic project, developed since 2013 by Cosimo Lorenzo Pancini for the foundry Zetafonts, with the help of Francesco Canovaro and Andrea Tartarelli. Influenced by vernacular grotesques sign-painting and modernist ideals, and inspired by the classy aestethic of fashion icon Coco Chanel, Coco is drawn on a classic geometric sans skeleton but applies humanist proportions and visual corrections to key letters with the aim to create a warmer, subtly vintage texture on the page and on the screen.
Coco Sharp drops the rounded corners of previous incarnations (Coco Gothic and Cocogoose) to pair the typeface display and logo capability with a sharper definition for text use. As in the other Coco families, a wide range of alternate letterforms allows to express different historical moods, including elegant, quirky and unexpected designs able to transform a simple word in a memorable wordmark.
The other peculiarity of Coco Sharp lies in the wide choice of x-heights given to the user, both by providing a variable version and five graded sub-families, that allows designers to fine-control text readability and space usage. Large and Xlarge versions provide big and easily readable lowercase letters, perfect for small point size typesetting or bold copywriting; Small and Xsmall provide smaller lowercase letters with the elegant proportions of Futura and its modernist eponyms, optimized for display use or for adding a classy flare to body text; the Regular x-height offers a "one size fits all" solution that works both for texts and for display use.
Alle the 60 weights of Coco Sharp come with a full set of open type features allowing faultless typesetting thanks to small capitals, positional numbers & case sensitive forms. Use Coco Sharp out of the box as a solid workhorse family or enjoy discovering the limitless possibilities of its 2000+ latin, cyrillic and greek glyphs covering over 200 languages worldwide.
Features
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(HO!)Case-Sensitive Forms
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ABCDESmall Capitals From Capitals
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variantStylistic Alternates
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SmallSmall Capitals
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aStylistic Set 1
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QM&W&Stylistic Set 2
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JOJO&Stylistic Set 3
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SQEFNAStylistic Set 4
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NAMZStylistic Set 5
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QUO&Stylistic Set 6
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SessionStylistic Set 7
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StraßeStylistic Set 8
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ij?!.Stylistic Set 9
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12/23Fractions
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1a 3thOrdinals
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12360Lining Figures
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12360Proportional Figures
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12360Oldstyle Figures
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1234Tabular Figures
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H123Alternate Annotation Forms
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H123Denominators
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H123Subscript
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H123Superscript
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H123Scientific Inferiors
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H123Numerators
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120Slashed Zero
Variable Typefaces
Coco Sharp Var
VARIABLE FONTS ARE ONLY AVAILABLE WITH THE FULL FAMILY PACKAGE, MAY NOT WORK WITH ALL THE SOFTWARE
European languages
The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.