A semi-condensed, transitional Old-Style with slightly retro calligraphic details.
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Metaphorically Literary Elegance Rocambolesque Metaphorically Literary Elegance Rocambolesque
Evans Extralight
Evans Light
Evans Book
Evans Regular
Evans Medium
Evans Bold
Evans Extrabold
Evans Heavy
Evans Condensed Extralight
Evans Condensed Light
Evans Condensed Book
Evans Condensed Regular
Evans Condensed Medium
Evans Condensed Bold
Evans Condensed Extrabold
Evans Condensed Heavy
When it comes to showcasing the true balance between functionality and aesthetics, there is no better arena than editorial design. Cosimo Lorenzo Pancini and Andrea Tartarelli designed Evans with an eye for both printed and digital pages, and an ardent focus on optimizing the arrangement of lengthy text within confined spaces. With a name that is an a homage to the influential photojournalist, Walker Evans, this typeface embraces the vintage appeal of a semi-condensed old-style structure with a very slight transitional slanted axis, combining optimal legibility and visual charm.
The timeless quality of old-style letterforms is enriched by calligraphic touches for a smooth reading experience, and complemented by a high x-height that ensures maximum legibility, even when working with smaller font sizes.
For maximum versatility, Evans provides two distinct variations tailored to different purposes. The Condensed family shines in display-oriented contexts, where attention-grabbing headlines and impactful visuals take center stage. On the other hand, the regular family is fine-tuned for body text applications, ensuring seamless readability for extended reading sessions.
With its retro-inspired design and unwavering commitment to form and function, Evans effortlessly extends its versatility from editorial design to digital interfaces and logo creation.
Variable Typefaces
Evans Variable
VARIABLE FONTS ARE ONLY AVAILABLE WITH THE FULL FAMILY PACKAGE, MAY NOT WORK WITH ALL THE SOFTWARE
European languages
The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
