Cocomat is a geometric sans-serif with humanistic details, slightly rounded corners, low contrast, and deco-inspired letterform design.
![](/img_posted/IMG_cocomat_tom_Zetafonts P15.png)
![](/img_posted/IMG_cocomat_tom_Zetafonts P10.png)
"Great loves
too must
be endured."
COCO CHANEL
Cocomat has been designed by Francesco Canovaro and Debora Manetti as a development of the Coco Gothic typeface system created by Cosimo Lorenzo Pancini. It shares with all the other subfamilies in the Coco Gothic system a geometric skeleton with open, more humanistic proportions, a sans serif design with slightly rounded corners and low contrast proportions, without optical compensation on the horizontal lines, resulting in a quasi-inverted contrast look in the boldest weights.
What differentiates Cocomat from the other subfamilies in Coco Gothic are some slight design touches in the uppercase letters, with a vertical unbalancing reminiscent of art deco design, notably evident in uppercase "E", "A","F","P" and "R" - while lowercase letters have been given some optical compensation on the stems, like in "n","m", "p" and "q". These design choices, evoking the second and third decade of the last century (Cocomat is also referred as Coco 1920 in the Coco Gothic Family) all give Cocomat a slight vintage feeling, making it a perfect choice every time you need to add a period vibe or an historical flair to your design, like in food or luxury branding.
The typeface, first published in 2014, has been completely redesigned by the original authors in 2019 as Cocomat PRO to include eight extra weights (thin, medium, black and heavy in both roman and italic form), extra open type features (including alternate forms, positional numerals), and extra glyphs making Cocomat cover over two hundred languages using latin, cyrillic and greek alphabets.
Writing system:
Language Supported:
Features
-
fl fiStandard Ligatures
-
(¿H?)Case-Sensitive Forms
-
ABCDESmall Capitals From Capitals
-
stctDiscretionary Ligatures
-
Wag0Stylistic Alternates
-
AbagoSmall Capitals
-
fjßStylistic Set 1
-
litStylistic Set 2
-
uStylistic Set 4
-
12/23Fractions
-
1a 3thOrdinals
-
12360Oldstyle Figures
-
1234Tabular Figures
-
H123Alternate Annotation Forms
-
H123Denominators
-
H123Subscript
-
H123Superscript
-
H123Scientific Inferiors
-
H123Numerators
-
120Slashed Zero
European languages
The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
Unicode Charset:
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It shares with all the other subfamilies in the Coco Gothic system a <strong>geometric skeleton</strong> with open, more humanistic proportions, a <strong>sans serif design</strong> with slightly <strong>rounded corners</strong> and <strong>low contrast</strong> proportions, without optical compensation on the horizontal lines, resulting in a <strong>quasi-inverted contrast</strong> look in the boldest weights. </span></p> <p class="p1"><span class="s1">What differentiates <strong>Cocomat</strong> from the other subfamilies in <strong>Coco Gothic</strong> are some slight design touches in the uppercase letters, with a <strong>vertical unbalancing</strong> reminiscent of <strong>art deco design</strong>, notably evident in uppercase "E", "A","F","P" and "R" - while lowercase letters have been given some optical compensation on the stems, like in "n","m", "p" and "q". These design choices, evoking the <strong>second and third decade of the last century</strong> (Cocomat is also referred as <strong>Coco 1920</strong> in the Coco Gothic Family) all give Cocomat a slight <strong>vintage feeling</strong>, making it a perfect choice every time you need to add a <strong>period vibe</strong> or an <strong>historical flair</strong> to your design, like in <strong>food</strong> or <strong>luxury branding</strong>. </span><span class="s1"> </span></p> <p class="p1"><span class="s1">The typeface, first published in 2014, has been completely redesigned by the original authors in 2019 as <strong>Cocomat PRO</strong> to <strong>include eight extra weights</strong> (thin, medium, black and heavy in both roman and italic form), <strong>extra open type features</strong> (including alternate forms, positional numerals), and <strong>extra glyphs</strong> making Cocomat cover over </span><span class="s1">two hundred languages using latin, cyrillic and greek alphabets. </span></p> [desc1] => <p class="p1"><span class="s1"><strong>Cocomat </strong>has been designed by <strong>Francesco Canovaro</strong> and <strong>Debora Manetti</strong> as a development of the <strong>Coco Gothic</strong> typeface system created by <strong>Cosimo Lorenzo</strong> <strong>Pancini</strong>. It shares with all the other subfamilies in the Coco Gothic system a <strong>geometric skeleton</strong> with open, more humanistic proportions, a <strong>sans serif design</strong> with slightly <strong>rounded corners</strong> and <strong>low contrast</strong> proportions, without optical compensation on the horizontal lines, resulting in a <strong>quasi-inverted contrast</strong> look in the boldest weights. </span></p> <p class="p1"><span class="s1">What differentiates <strong>Cocomat</strong> from the other subfamilies in <strong>Coco Gothic</strong> are some slight design touches in the uppercase letters, with a <strong>vertical unbalancing</strong> reminiscent of <strong>art deco design</strong>, notably evident in uppercase "E", "A","F","P" and "R" - while lowercase letters have been given some optical compensation on the stems, like in "n","m", "p" and "q". These design choices, evoking the <strong>second and third decade of the last century</strong> (Cocomat is also referred as <strong>Coco 1920</strong> in the Coco Gothic Family) all give Cocomat a slight <strong>vintage feeling</strong>, making it a perfect choice every time you need to add a <strong>period vibe</strong> or an <strong>historical flair</strong> to your design, like in <strong>food</strong> or <strong>luxury branding</strong>. </span><span class="s1"> </span></p> <p class="p1"><span class="s1">The typeface, first published in 2014, has been completely redesigned by the original authors in 2019 as <strong>Cocomat PRO</strong> to <strong>include eight extra weights</strong> (thin, medium, black and heavy in both roman and italic form), <strong>extra open type features</strong> (including alternate forms, positional numerals), and <strong>extra glyphs</strong> making Cocomat cover over </span><span class="s1">two hundred languages using latin, cyrillic and greek alphabets. 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