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Unigeo

Weight

Unigeo

Unigeo64 Semibold

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Stylistic Set 1

Stylistic Set 2

Stylistic Set 3

future in the rear-view mirror

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description
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            [8] => <p>Designed by <strong>Cosimo</strong> <strong>Lorenzo</strong> <strong>Pancini</strong> with the help of <strong>Francesco Canovaro</strong>, <strong>Unigeo</strong> is an eulogy to the design style of vintage computing, with its obsession for <strong>geometric modularity</strong>, ultra-tight tracking and striped rainbow overload. It aims at giving a new perspective to the ever-useful <strong>geometric sans</strong> genre, by adding a <strong>vintage flair</strong> to selected letters while <strong>keeping optical adjustments to the minimum</strong>, to prioritize the <strong>modular, constructed look aspect</strong> of the typeface.</p>
<p>Furthermore, like every vintage gaming system, Unigeo has been developed with different "memory versions":32, 64 and 128. The main family,&nbsp;<strong>Unigeo 64</strong>, is&nbsp;<strong>display</strong>&nbsp;and&nbsp;<strong>logo-design</strong>&nbsp;oriented, featuring tight tracking and&nbsp;iconic signature letterforms, and&nbsp;referencing vintage design and typefaces from the photo-lettering era. These letterforms are substituted in the <strong>Unigeo 32</strong> variant with more contemporary shapes, resulting in a&nbsp;<strong>workhorse geometric sans</strong>, highly optimized for text use but still suited for&nbsp;<strong>logo design</strong>&nbsp;and&nbsp;<strong>display use</strong>&nbsp;thanks to its wide weight range. Last but not least, the&nbsp;<strong>Unigeo 128</strong>&nbsp;subfamily gives the same skeleton a striped treatment reminescent of optical art and modernist computer logos.</p>
<p>All <strong>Unigeo</strong> families are developed in <strong>eight weights</strong>, ranging from Thin to Extrabold, for a total of <strong>40</strong> <strong>styles</strong>, each&nbsp;provided with an <strong>extended character set</strong> covering languages using <strong>latin</strong>, <strong>cyrillic</strong> and <strong>greek</strong> glyphs. Full Open Type Features are provided, including positional numbers, legatures and alternate glyphs, as well as a variable font&nbsp;version for each subfamily.</p>
            [desc1] => <p>Designed by <strong>Cosimo</strong> <strong>Lorenzo</strong> <strong>Pancini</strong> with the help of <strong>Francesco Canovaro</strong>, <strong>Unigeo</strong> is an eulogy to the design style of vintage computing, with its obsession for <strong>geometric modularity</strong>, ultra-tight tracking and striped rainbow overload. It aims at giving a new perspective to the ever-useful <strong>geometric sans</strong> genre, by adding a <strong>vintage flair</strong> to selected letters while <strong>keeping optical adjustments to the minimum</strong>, to prioritize the <strong>modular, constructed look aspect</strong> of the typeface.</p>
<p>Furthermore, like every vintage gaming system, Unigeo has been developed with different "memory versions":32, 64 and 128. The main family,&nbsp;<strong>Unigeo 64</strong>, is&nbsp;<strong>display</strong>&nbsp;and&nbsp;<strong>logo-design</strong>&nbsp;oriented, featuring tight tracking and&nbsp;iconic signature letterforms, and&nbsp;referencing vintage design and typefaces from the photo-lettering era. These letterforms are substituted in the <strong>Unigeo 32</strong> variant with more contemporary shapes, resulting in a&nbsp;<strong>workhorse geometric sans</strong>, highly optimized for text use but still suited for&nbsp;<strong>logo design</strong>&nbsp;and&nbsp;<strong>display use</strong>&nbsp;thanks to its wide weight range. Last but not least, the&nbsp;<strong>Unigeo 128</strong>&nbsp;subfamily gives the same skeleton a striped treatment reminescent of optical art and modernist computer logos.</p>
<p>All <strong>Unigeo</strong> families are developed in <strong>eight weights</strong>, ranging from Thin to Extrabold, for a total of <strong>40</strong> <strong>styles</strong>, each&nbsp;provided with an <strong>extended character set</strong> covering languages using <strong>latin</strong>, <strong>cyrillic</strong> and <strong>greek</strong> glyphs. Full Open Type Features are provided, including positional numbers, legatures and alternate glyphs, as well as a variable font&nbsp;version for each subfamily.</p>
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{background-size: cover!important;}
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