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INDUSTRIAL
REVOLUTION

AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz 
Groot Bau Light
CLICK ON TEXT TO EDIT

Walter Gropius, a pioneering architect and founder of the Bauhaus School, revolutionized modern architecture with his emphasis on functional design and integration of art, craft, and technology.

Pangram
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Roman

Roman

Roman

Roman

Roman

Roman

Roman

Roman

Roman

Roman

Designed by Cosimo Lorenzo Pancini, Mario De Libero Version 0.3 / released in 2024

Designed by Cosimo Lorenzo Pancini with the help of Mario de Libero and Nicolas Sendre Billout, Groot is a reinvention of the traditional industrial grotesque sans serif that adds a variable axis to control dinamically the superness of the curvature in inner space.

The traditional proportions of DIN-like industrial grotesques are respected faithfully in the proportions of the lowercase letters, while uppercase glyphs present many brutalist variations that reinforce the constructed and mechanical feel of the typeface. The Bau subfamily pushes the curvature variation to the limit, resulting in overlapping counters in the thin weight and in square counterspaces in the heavy one, and in a noticeable contrasted design overall. 

The resulting superfamily, fully customizable thanks to the variable font version, can effortlessly switch from a transparent utilitarian sans optimized for body text to a quirky display font with logo and editorial use.

Available Formats:

Truetype, Opentype, Woff, Woff2

Writing system:

Latin

Language Supported:

214 Languages  Show all Hide all
English, Spanish, Portuguese, French, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük

Weights

  • C
    Thin
  • C
    Light
  • C
    Regular
  • C
    Bold
  • C
    Heavy

Features

  • Bau
    Stylistic Set 1
  • Gag
    Stylistic Set 2
  • QBMW
    Stylistic Set 3
  • Quiet
    Stylistic Set 4
  • ALMEW
    Stylistic Set 5
  • Große
    Stylistic Set 6
  • 12/23
    Fractions
  • H123
    Denominators
  • H123
    Subscript
  • H123
    Superscript
  • H123
    Scientific Inferiors
  • H123
    Numerators

Variable Typefaces

Groot Variable Regular

VARIABLE FONTS ARE ONLY AVAILABLE WITH THE FULL FAMILY PACKAGE, MAY NOT WORK WITH ALL THE SOFTWARE

Groot Bau Heavy
CLICK ON TEXT TO EDIT

Groots Lied der Bau

Groot Bau Bold
CLICK ON TEXT TO EDIT

“In den Wirren der Industrie, wo Stahl und Schrift sich treffen, Und Betonströme ewig fließen, Dort tanzen wir, ein Wirbel von Buchstaben und Balken.”

Groot Bau Regular
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There - a cacophony of typographic innovation melded with the relentless rhythm of construction: there - in the heart of the industrial sprawl, where concrete rivers flow endlessly, and steel giants rise to pierce the sky: there - where the alphabet dances with the assembly line, typecasting machines hum their mechanical hymns, linotype cranes stretch their arms towards the heavens, constructing words from steel and glass. Imagine, now: the streets echo with the clang of metal and the hiss of hydraulic presses, as serifs and sans-serifs intertwine in a grotesque symphony. The typographers, with their stern countenances, oversee the meticulous choreography of letters and beams, ensuring every line is straight, every curve precise: and amidst this industrial ballet, emerges the legendary GROOT - his towering figure of brutal constructivism, his sans serif industrial skeleton apparently carverd out of stainless steel. His footsteps shake the very foundations of the city, leaving a trail of jagged serifs in his wake. Building twist and turn, morphing into a lysergic haze o of impossible geometry, while punctuation marks dance like dervishes in the night sky. Still, amidst this noise and apparent chaos, there is order, as each letter, each glyph, falls into place with mathematical precision, guided by the unseen hand of typographic fate. And in this dance of construction and typography, a new world is born, where words are not just written, but built, and the legend of Groot lives on.

Styles

  • a
    roman
  • a
    Bau Thin
  • a
    Bau
  • a
    Bau Heavy

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        (
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            [8] => <p>Designed by <strong>Cosimo Lorenzo Pancini</strong> with the help of<strong> Mario de Libero</strong> and <strong>Nicolas Sendre Billout</strong>, <strong>Groot</strong> is a reinvention of the traditional industrial grotesque sans serif that adds a variable axis to control dinamically the superness of the curvature in inner space.</p>
<p>The traditional proportions of DIN-like industrial grotesques are respected faithfully in the proportions of the <strong>lowercase letters</strong>, while <strong>uppercase glyphs present many brutalist variations</strong> that reinforce the constructed and mechanical feel of the typeface. The <strong>Bau</strong> subfamily pushes the curvature variation to the limit, resulting in <strong>overlapping counters</strong> in the <strong>thin weight</strong> and in <strong>square counterspaces</strong> in the <strong>heavy one</strong>, and in a noticeable <strong>contrasted design</strong> overall.&nbsp;</p>
<p>The resulting superfamily, fully customizable thanks to the <strong>variable font version</strong>, can effortlessly switch from a transparent utilitarian sans optimized for body text to a quirky display font with logo and editorial use.</p>
            [desc1] => <p>Designed by <strong>Cosimo Lorenzo Pancini</strong> with the help of<strong> Mario de Libero</strong> and <strong>Nicolas Sendre Billout</strong>, <strong>Groot</strong> is a reinvention of the traditional industrial grotesque sans serif that adds a variable axis to control dinamically the superness of the curvature in inner space.</p>
<p>The traditional proportions of DIN-like industrial grotesques are respected faithfully in the proportions of the <strong>lowercase letters</strong>, while <strong>uppercase glyphs present many brutalist variations</strong> that reinforce the constructed and mechanical feel of the typeface. The <strong>Bau</strong> subfamily pushes the curvature variation to the limit, resulting in <strong>overlapping counters</strong> in the <strong>thin weight</strong> and in <strong>square counterspaces</strong> in the <strong>heavy one</strong>, and in a noticeable <strong>contrasted design</strong> overall.&nbsp;</p>
<p>The resulting superfamily, fully customizable thanks to the <strong>variable font version</strong>, can effortlessly switch from a transparent utilitarian sans optimized for body text to a quirky display font with logo and editorial use.</p>
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            [20] => zetafonts
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            [22] => 2024-04-30 00:00:00
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            [dato0] => 
            [40] => <p>Designed by <strong>Cosimo Lorenzo Pancini</strong> with the help of <strong>Mario de Libero</strong> and <strong>Nicolas Sendre Billout</strong>, <strong>Groot</strong> is a reinvention of the traditional industrial grotesque sans serif that adds a variable axis to control dinamically the superness of the curvature in inner space.</p>
<p>The functional, industrial roots of the design - inspired by the model of the <strong>DIN</strong> grotesques - are respected faithfully in the proportions of the lowercase letters, while uppercase glyphs present many brutalist variations that reinforce the constructed and mechanical feel of the typeface.&nbsp;</p>
<p>While the base <strong>Groot</strong> family only applies a minimal effect to the curvature, the<strong>&nbsp;Bau</strong> subfamily pushes it to the limit, resulting in overlapping counters in the thin weight and in square counterspaces in the heavy one, and in a noticeable contrasted design overall.</p>
<p>The resulting superfamily, fully customizable thanks to the variable typeface, can in this way effortlessly switch from a transparent utilitarian sans optimized for body text to a quirky display font with logo and editorial use.</p>
            [dato1] => <p>Designed by <strong>Cosimo Lorenzo Pancini</strong> with the help of <strong>Mario de Libero</strong> and <strong>Nicolas Sendre Billout</strong>, <strong>Groot</strong> is a reinvention of the traditional industrial grotesque sans serif that adds a variable axis to control dinamically the superness of the curvature in inner space.</p>
<p>The functional, industrial roots of the design - inspired by the model of the <strong>DIN</strong> grotesques - are respected faithfully in the proportions of the lowercase letters, while uppercase glyphs present many brutalist variations that reinforce the constructed and mechanical feel of the typeface.&nbsp;</p>
<p>While the base <strong>Groot</strong> family only applies a minimal effect to the curvature, the<strong>&nbsp;Bau</strong> subfamily pushes it to the limit, resulting in overlapping counters in the thin weight and in square counterspaces in the heavy one, and in a noticeable contrasted design overall.</p>
<p>The resulting superfamily, fully customizable thanks to the variable typeface, can in this way effortlessly switch from a transparent utilitarian sans optimized for body text to a quirky display font with logo and editorial use.</p>
            [41] => 
            [dato2] => 
            [42] => Cosimo Lorenzo Pancini, Mario De Libero
            [dato3] => Cosimo Lorenzo Pancini, Mario De Libero
            [43] => 0.3
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            [47] => Groot Header.svg
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            [60] => case:-; liga:-; ss01:Bau; ss02:Gag; ss03: QBMW; ss04: Quiet; ss05: ALMEW; ss06: Große; ordn:-;
            [dato21] => case:-; liga:-; ss01:Bau; ss02:Gag; ss03: QBMW; ss04: Quiet; ss05: ALMEW; ss06: Große; ordn:-;
            [61] => 6
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            [72] => Groots Lied der Bau
            [dato33] => Groots Lied der Bau
            [73] => “In den Wirren der Industrie, wo Stahl und Schrift sich treffen, Und Betonströme ewig fließen, Dort tanzen wir, ein Wirbel von Buchstaben und Balken.”
            [dato34] => “In den Wirren der Industrie, wo Stahl und Schrift sich treffen, Und Betonströme ewig fließen, Dort tanzen wir, ein Wirbel von Buchstaben und Balken.”
            [74] => There - a cacophony of typographic innovation melded with the relentless rhythm of construction: there - in the heart of the industrial sprawl, where concrete rivers flow endlessly, and steel giants rise to pierce the sky: there - where the alphabet dances with the assembly line, typecasting machines hum their mechanical hymns, linotype cranes stretch their arms towards the heavens, constructing words from steel and glass. Imagine, now: the streets echo with the clang of metal and the hiss of hydraulic presses, as serifs and sans-serifs intertwine in a grotesque symphony. The typographers, with their stern countenances, oversee the meticulous choreography of letters and beams, ensuring every line is straight, every curve precise: and amidst this industrial ballet, emerges the legendary GROOT - his towering figure of brutal constructivism, his sans serif industrial skeleton apparently carverd out of stainless steel. His footsteps shake the very foundations of the city, leaving a trail of jagged serifs in his wake. Building twist and turn, morphing into a lysergic haze o of impossible geometry, while punctuation marks dance like dervishes in the night sky. Still, amidst this noise and apparent chaos, there is order, as each letter, each glyph, falls into place with mathematical precision, guided by the unseen hand of typographic fate. And in this dance of construction and typography, a new world is born, where words are not just written, but built, and the legend of Groot lives on.
            [dato35] => There - a cacophony of typographic innovation melded with the relentless rhythm of construction: there - in the heart of the industrial sprawl, where concrete rivers flow endlessly, and steel giants rise to pierce the sky: there - where the alphabet dances with the assembly line, typecasting machines hum their mechanical hymns, linotype cranes stretch their arms towards the heavens, constructing words from steel and glass. Imagine, now: the streets echo with the clang of metal and the hiss of hydraulic presses, as serifs and sans-serifs intertwine in a grotesque symphony. The typographers, with their stern countenances, oversee the meticulous choreography of letters and beams, ensuring every line is straight, every curve precise: and amidst this industrial ballet, emerges the legendary GROOT - his towering figure of brutal constructivism, his sans serif industrial skeleton apparently carverd out of stainless steel. His footsteps shake the very foundations of the city, leaving a trail of jagged serifs in his wake. Building twist and turn, morphing into a lysergic haze o of impossible geometry, while punctuation marks dance like dervishes in the night sky. Still, amidst this noise and apparent chaos, there is order, as each letter, each glyph, falls into place with mathematical precision, guided by the unseen hand of typographic fate. And in this dance of construction and typography, a new world is born, where words are not just written, but built, and the legend of Groot lives on.
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            [91] => sans, text, display, brutalist, industrial, digital
            [tag_content] => sans, text, display, brutalist, industrial, digital
            [92] => 3
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            [93] => 2024-05-30 17:00:00
            [record_date] => 2024-05-30 17:00:00
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            [102] => {"id":"9590","name":"Groot Regular","otf":"0_Groot-Regular.otf","ttf":"0_Groot-Regular.ttf","trial":"0_GrootTrial-Regular.ttf","woff":"0_Groot-Regular.woff","woff2":"0_Groot-Regular.woff2","publish_status":"10","ismain":"1"}
            [mainfont] => {"id":"9590","name":"Groot Regular","otf":"0_Groot-Regular.otf","ttf":"0_Groot-Regular.ttf","trial":"0_GrootTrial-Regular.ttf","woff":"0_Groot-Regular.woff","woff2":"0_Groot-Regular.woff2","publish_status":"10","ismain":"1"}
            [103] => {"9597":{"id":"9597","name":"Groot Variable Regular","otf":"","ttf":"0_GrootVariable-Regular.ttf","woff":"","woff2":"","trial":"GrootTrialVariable-Regular.ttf","publish_status":"10","relevance":3,"variable_parameter":"wght,100,800;opsz,100,1000;"},"9593":{"id":"9593","name":"Groot Bau Heavy","otf":"0_GrootBau-Heavy.otf","ttf":"0_GrootBau-Heavy.ttf","woff":"0_GrootBau-Heavy.woff","woff2":"0_GrootBau-Heavy.woff2","trial":"0_GrootBauTrial-Heavy.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9592":{"id":"9592","name":"Groot Bau Bold","otf":"0_GrootBau-Bold.otf","ttf":"0_GrootBau-Bold.ttf","woff":"0_GrootBau-Bold.woff","woff2":"0_GrootBau-Bold.woff2","trial":"0_GrootBauTrial-Bold.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9595":{"id":"9595","name":"Groot Bau Regular","otf":"0_GrootBau-Regular.otf","ttf":"0_GrootBau-Regular.ttf","woff":"0_GrootBau-Regular.woff","woff2":"0_GrootBau-Regular.woff2","trial":"0_GrootBauTrial-Regular.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9594":{"id":"9594","name":"Groot Bau Light","otf":"0_GrootBau-Light.otf","ttf":"0_GrootBau-Light.ttf","woff":"0_GrootBau-Light.woff","woff2":"0_GrootBau-Light.woff2","trial":"0_GrootBauTrial-Light.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9596":{"id":"9596","name":"Groot Bau Thin","otf":"0_GrootBau-Thin.otf","ttf":"0_GrootBau-Thin.ttf","woff":"0_GrootBau-Thin.woff","woff2":"0_GrootBau-Thin.woff2","trial":"0_GrootBauTrial-Thin.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9588":{"id":"9588","name":"Groot Heavy","otf":"0_Groot-Heavy.otf","ttf":"0_Groot-Heavy.ttf","woff":"0_Groot-Heavy.woff","woff2":"0_Groot-Heavy.woff2","trial":"0_GrootTrial-Heavy.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9587":{"id":"9587","name":"Groot Bold","otf":"0_Groot-Bold.otf","ttf":"0_Groot-Bold.ttf","woff":"0_Groot-Bold.woff","woff2":"0_Groot-Bold.woff2","trial":"0_GrootTrial-Bold.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9590":{"id":"9590","name":"Groot Regular","otf":"0_Groot-Regular.otf","ttf":"0_Groot-Regular.ttf","woff":"0_Groot-Regular.woff","woff2":"0_Groot-Regular.woff2","trial":"0_GrootTrial-Regular.ttf","publish_status":"10","relevance":1,"variable_parameter":""},"9589":{"id":"9589","name":"Groot Light","otf":"0_Groot-Light.otf","ttf":"0_Groot-Light.ttf","woff":"0_Groot-Light.woff","woff2":"0_Groot-Light.woff2","trial":"0_GrootTrial-Light.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9591":{"id":"9591","name":"Groot Thin","otf":"0_Groot-Thin.otf","ttf":"0_Groot-Thin.ttf","woff":"0_Groot-Thin.woff","woff2":"0_Groot-Thin.woff2","trial":"0_GrootTrial-Thin.ttf","publish_status":"10","relevance":0,"variable_parameter":""}}
            [active_fonts] => {"9597":{"id":"9597","name":"Groot Variable Regular","otf":"","ttf":"0_GrootVariable-Regular.ttf","woff":"","woff2":"","trial":"GrootTrialVariable-Regular.ttf","publish_status":"10","relevance":3,"variable_parameter":"wght,100,800;opsz,100,1000;"},"9593":{"id":"9593","name":"Groot Bau Heavy","otf":"0_GrootBau-Heavy.otf","ttf":"0_GrootBau-Heavy.ttf","woff":"0_GrootBau-Heavy.woff","woff2":"0_GrootBau-Heavy.woff2","trial":"0_GrootBauTrial-Heavy.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9592":{"id":"9592","name":"Groot Bau Bold","otf":"0_GrootBau-Bold.otf","ttf":"0_GrootBau-Bold.ttf","woff":"0_GrootBau-Bold.woff","woff2":"0_GrootBau-Bold.woff2","trial":"0_GrootBauTrial-Bold.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9595":{"id":"9595","name":"Groot Bau Regular","otf":"0_GrootBau-Regular.otf","ttf":"0_GrootBau-Regular.ttf","woff":"0_GrootBau-Regular.woff","woff2":"0_GrootBau-Regular.woff2","trial":"0_GrootBauTrial-Regular.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9594":{"id":"9594","name":"Groot Bau Light","otf":"0_GrootBau-Light.otf","ttf":"0_GrootBau-Light.ttf","woff":"0_GrootBau-Light.woff","woff2":"0_GrootBau-Light.woff2","trial":"0_GrootBauTrial-Light.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9596":{"id":"9596","name":"Groot Bau Thin","otf":"0_GrootBau-Thin.otf","ttf":"0_GrootBau-Thin.ttf","woff":"0_GrootBau-Thin.woff","woff2":"0_GrootBau-Thin.woff2","trial":"0_GrootBauTrial-Thin.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9588":{"id":"9588","name":"Groot Heavy","otf":"0_Groot-Heavy.otf","ttf":"0_Groot-Heavy.ttf","woff":"0_Groot-Heavy.woff","woff2":"0_Groot-Heavy.woff2","trial":"0_GrootTrial-Heavy.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9587":{"id":"9587","name":"Groot Bold","otf":"0_Groot-Bold.otf","ttf":"0_Groot-Bold.ttf","woff":"0_Groot-Bold.woff","woff2":"0_Groot-Bold.woff2","trial":"0_GrootTrial-Bold.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9590":{"id":"9590","name":"Groot Regular","otf":"0_Groot-Regular.otf","ttf":"0_Groot-Regular.ttf","woff":"0_Groot-Regular.woff","woff2":"0_Groot-Regular.woff2","trial":"0_GrootTrial-Regular.ttf","publish_status":"10","relevance":1,"variable_parameter":""},"9589":{"id":"9589","name":"Groot Light","otf":"0_Groot-Light.otf","ttf":"0_Groot-Light.ttf","woff":"0_Groot-Light.woff","woff2":"0_Groot-Light.woff2","trial":"0_GrootTrial-Light.ttf","publish_status":"10","relevance":0,"variable_parameter":""},"9591":{"id":"9591","name":"Groot Thin","otf":"0_Groot-Thin.otf","ttf":"0_Groot-Thin.ttf","woff":"0_Groot-Thin.woff","woff2":"0_Groot-Thin.woff2","trial":"0_GrootTrial-Thin.ttf","publish_status":"10","relevance":0,"variable_parameter":""}}
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