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Ambra Sans Book
CLICK ON TEXT TO EDIT

ABCDEFGHJKLM

NOPQRSTUVWXYZ

abcdefghijklm

nopqrstuvxyz

0123456789&

14 styles
Text
start from 107 406 73%OFF
16 styles
Display
start from 115 464 75%OFF
Pangram
CLICK ON TEXT TO EDIT

Ambra Sans Light

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Light Italic

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Book

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Book Italic

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Regular

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Italic

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Medium

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Medium Italic

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Bold

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Bold Italic

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Extrabold

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Extrabold Italic

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Black

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Black Italic

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Heavy

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Heavy Italic

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Text Light

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Text Light Italic

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Text Book

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Text Book Italic

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Text Regular

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Text Italic

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Text Medium

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Text Medium Italic

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Text Bold

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Text Bold Italic

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Text Extrabold

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Text Extrabold Italic

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Text Black

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Ambra Sans Text Black Italic

Start from 29 ($ 31.7)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Available Formats

Desktop Licenses

B
N

Extended Licenses

G
A
M
L
Designed by Francesco Canovaro, Cosimo Lorenzo Pancini Version 1.0 / released in 2022
With Andrea Tartarelli
Designed by Cosimo Lorenzo Pancini with Francesco Canovaro as a development and reinvention of Tarif by Andrea Tartarelli, Ambra is a humanist sans typeface family, drawn around a lively, expressive skeleton but developed with a contemporary, post-digital sensibility that implies low contrast and tall x-height.   In designing Ambra, the authors wanted to research the elusive natural signature of handmade humanist letter shapes, in the effort of preserving it while still developing all the capabilities of type as a technical tool in the digital age. Like a frail insect preserved in amber, humanist design is the "ghost in the machine" of this font, that aims at seducing the viewers with its soft, welcoming text flow, firmly opposing the rigid, formal tone of most sans serif fonts. Born to provide a useful tool to graphic designers with branding and editorial needs,   Ambra developes around two subfamilies with  SHOW ALL

Designed by Cosimo Lorenzo Pancini with Francesco Canovaro as a development and reinvention of Tarif by Andrea Tartarelli, Ambra is a humanist sans typeface family, drawn around a lively, expressive skeleton but developed with a contemporary, post-digital sensibility that implies low contrast and tall x-height.

 

In designing Ambra, the authors wanted to research the elusive natural signature of handmade humanist letter shapes, in the effort of preserving it while still developing all the capabilities of type as a technical tool in the digital age. Like a frail insect preserved in amber, humanist design is the "ghost in the machine" of this font, that aims at seducing the viewers with its soft, welcoming text flow, firmly opposing the rigid, formal tone of most sans serif fonts. Born to provide a useful tool to graphic designers with branding and editorial needs,

 

Ambra developes around two subfamilies with slight but fundamental differences. The display family offers a taller x-height, optimizing readability and spacing in headings and display use, while offering a single story lowercase g to provide more consistent branding usage. The text family, on the other side, goes for a smaller x-height to give more traditional proportion to the text and removes the slight tapering in the stems to provide better rendering on screen in small formats.

 

Both subfamilies of Ambra develop around a wide range of seven weights with corresponding true italics, with Ambra Display sporting an extra heavy weight for maximum versatility. In total the family counts 30 fonts, each with over 600 glyphs for a wide language coverage. Open type features and glyph alternates further enrich the usage possibility of this typeface that wants to offer contemporary designer an alternative, unexpectedly human approach to contemporary sans type, softly preserving the spirit of handmade calligraphy while encasing its frail nature in a transparent, strong and powerful design language.

SUPPORT 205 LANGUAGES  SHOW ALL HIDE ALL
English, Spanish, Portuguese, French, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Latvian, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Slovio (Latin), Volapük

Weights

  • C
    Light
  • C
    Book
  • C
    Regular
  • C
    Medium
  • C
    Bold
  • C
    Extrabold
  • C
    Black
  • C
    Heavy

Features

  • fi ff fl
    Standard Ligatures
  • (¡HO!)
    Case-Sensitive Forms
  • fh ffj
    Discretionary Ligatures
  • arpa
    Stylistic Set 1
  • oggi
    Stylistic Set 2
  • QUR
    Stylistic Set 3
  • MOM
    Stylistic Set 4
  • yoyo
    Stylistic Set 5
  • faf
    Stylistic Set 6
  • 12/23
    Fractions
  • 1a 2o
    Ordinals
  • 12360
    Oldstyle Figures
  • 1234
    Tabular Figures
  • H123
    Denominators
  • H123
    Subscript
  • H123
    Superscript
  • H123
    Scientific Inferiors
  • 120
    Slashed Zero

Variable Typefaces

Ambra Sans Variable

VARIABLE FONTS ARE ONLY AVAILABLE WITH THE FULL FAMILY PACKAGE, MAY NOT WORK WITH ALL THE SOFTWARE

Ambra Sans Extrabold
CLICK ON TEXT TO EDIT

European languages

Ambra Sans Text Light
CLICK ON TEXT TO EDIT

The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.

Ambra Sans Text Book
CLICK ON TEXT TO EDIT

The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.

Styles

  • a
    roman
  • a
    Italic
  • a
    Text
  • a
    Text Italic

Unicode Charset:

A
UNI41
B
UNI42
C
UNI43
D
UNI44
E
UNI45
F
UNI46
G
UNI47
H
UNI48
I
UNI49
J
UNI4a
K
UNI4b
L
UNI4c
M
UNI4d
N
UNI4e
O
UNI4f
P
UNI50
Q
UNI51
R
UNI52
S
UNI53
T
UNI54
U
UNI55
V
UNI56
W
UNI57
X
UNI58
Y
UNI59
Z
UNI5a
Æ
UNIc6
Œ
UNI152
IJ
UNI132
UNI1e9e
Ð
UNId0
Ŋ
UNI14a
Þ
UNIde
Ə
UNI18f
a
UNI61
b
UNI62
c
UNI63
d
UNI64
e
UNI65
f
UNI66
g
UNI67
h
UNI68
i
UNI69
j
UNI6a
k
UNI6b
l
UNI6c
m
UNI6d
n
UNI6e
o
UNI6f
p
UNI70
q
UNI71
r
UNI72
s
UNI73
t
UNI74
u
UNI75
v
UNI76
w
UNI77
x
UNI78
y
UNI79
z
UNI7a
æ
UNIe6
œ
UNI153
ij
UNI133
ß
UNIdf
ð
UNIf0
ŋ
UNI14b
þ
UNIfe
ə
UNI259
À
UNIc0
Á
UNIc1
Â
UNIc2
Ã
UNIc3
Ä
UNIc4
Ā
UNI100
Ă
UNI102
Å
UNIc5
Ą
UNI104
Ċ
UNI10a
Ć
UNI106
Ĉ
UNI108
Č
UNI10c
Ç
UNIc7
Đ
UNI110
Ď
UNI10e
È
UNIc8
É
UNIc9
Ê
UNIca
Ë
UNIcb
Ē
UNI112
Ĕ
UNI114
Ė
UNI116
Ě
UNI11a
Ę
UNI118
Ĝ
UNI11c
Ġ
UNI120
Ğ
UNI11e
Ģ
UNI122
Ħ
UNI126
Ĥ
UNI124
Ì
UNIcc
Í
UNIcd
Î
UNIce
Ĩ
UNI128
Ï
UNIcf
Ĭ
UNI12c
Ī
UNI12a
Į
UNI12e
İ
UNI130
Ĵ
UNI134
Ķ
UNI136
Ĺ
UNI139
Ļ
UNI13b
Ľ
UNI13d
Ŀ
UNI13f
Ł
UNI141
Ń
UNI143
Ň
UNI147
Ñ
UNId1
Ņ
UNI145
Ò
UNId2
Ó
UNId3
Ô
UNId4
Õ
UNId5
Ö
UNId6
Ō
UNI14c
Ŏ
UNI14e
Ő
UNI150
Ø
UNId8
Ř
UNI158
Ŕ
UNI154
Ŗ
UNI156
Ś
UNI15a
Ŝ
UNI15c
Š
UNI160
Ş
UNI15e
Ș
UNI218
Ț
UNI21a
Ţ
UNI162
Ť
UNI164
Ŧ
UNI166
Ù
UNId9
Ú
UNIda
Û
UNIdb
Ũ
UNI168
Ü
UNIdc
Ū
UNI16a
Ŭ
UNI16c
Ů
UNI16e
Ű
UNI170
Ų
UNI172
Ŵ
UNI174
Ý
UNIdd
Ŷ
UNI176
Ÿ
UNI178
Ź
UNI179
Ż
UNI17b
Ž
UNI17d
à
UNIe0
á
UNIe1
â
UNIe2
ã
UNIe3
ä
UNIe4
ā
UNI101
ă
UNI103
å
UNIe5
ą
UNI105
ċ
UNI10b
ć
UNI107
ĉ
UNI109
č
UNI10d
ç
UNIe7
ď
UNI10f
đ
UNI111
è
UNIe8
é
UNIe9
ê
UNIea
ë
UNIeb
ē
UNI113
ĕ
UNI115
ė
UNI117
ě
UNI11b
ę
UNI119
ĝ
UNI11d
ğ
UNI11f
ġ
UNI121
ģ
UNI123
ħ
UNI127
ĥ
UNI125
ì
UNIec
í
UNIed
î
UNIee
ĩ
UNI129
ï
UNIef
ĭ
UNI12d
ī
UNI12b
į
UNI12f
ı
UNI131
ȷ
UNI237
ĵ
UNI135
ķ
UNI137
ĸ
UNI138
ĺ
UNI13a
ļ
UNI13c
ľ
UNI13e
ŀ
UNI140
ł
UNI142
ń
UNI144
ň
UNI148
ñ
UNIf1
ņ
UNI146
ò
UNIf2
ó
UNIf3
ô
UNIf4
õ
UNIf5
ö
UNIf6
ō
UNI14d
ŏ
UNI14f
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UNI151
ø
UNIf8
ř
UNI159
ŕ
UNI155
ŗ
UNI157
ś
UNI15b
ŝ
UNI15d
š
UNI161
ş
UNI15f
ș
UNI219
ț
UNI21b
ţ
UNI163
ť
UNI165
ŧ
UNI167
ù
UNIf9
ú
UNIfa
û
UNIfb
ũ
UNI169
ü
UNIfc
ū
UNI16b
ŭ
UNI16d
ů
UNI16f
ű
UNI171
ų
UNI173
ŵ
UNI175
ý
UNIfd
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UNI177
ÿ
UNIff
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UNI17a
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UNI17c
ž
UNI17e
Δ
UNI394
Ω
UNI3a9
μ
UNI3bc
π
UNI3c0
0
UNI30
1
UNI31
2
UNI32
3
UNI33
4
UNI34
5
UNI35
6
UNI36
7
UNI37
8
UNI38
9
UNI39
UNI2070
¹
UNIb9
²
UNIb2
³
UNIb3
UNI2074
UNI2075
UNI2076
UNI2077
UNI2078
UNI2079
UNI2080
UNI2081
UNI2082
UNI2083
UNI2084
UNI2085
UNI2086
UNI2087
UNI2088
UNI2089
¼
UNIbc
½
UNIbd
¾
UNIbe
#
UNI23
\
UNI5c
$
UNI24
£
UNIa3
UNI20ac
¥
UNIa5
¢
UNIa2
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UNI192
¤
UNIa4
UNI20bd
UNI20b9
UNI20aa
UNI20bf
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UNIe3f
UNI221a
~
UNI7e
×
UNId7
UNI2219
+
UNI2b
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UNIb1
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UNI2215
=
UNI3d
UNI2260
UNI2248
¬
UNIac
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UNI3c
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UNI3e
UNI2264
UNI2265
UNI221e
UNI222b
UNI2202
UNI2206
UNI220f
UNI2211
UNI2126
%
UNI25
UNI2030
(
UNI28
)
UNI29
[
UNI5b
]
UNI5d
{
UNI7b
}
UNI7d
µ
UNIb5
UNI2113
UNI212e
,
UNI2c
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UNI2e
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UNI3b
:
UNI3a
UNI2026
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UNIa6
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UNI2f
-
UNI2d
­
UNIad
UNI2013
UNI2014
UNI2012
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UNI336
̵
UNI335
_
UNI5f
UNI2039
UNI203a
«
UNIab
»
UNIbb
¡
UNIa1
!
UNI21
¿
UNIbf
?
UNI3f
'
UNI27
"
UNI22
&
UNI26
@
UNI40
©
UNIa9
®
UNIae
UNI2122
§
UNIa7
UNIb6
*
UNI2a
UNI2042
UNI2020
UNI2021
·
UNIb7
UNI2022
UNI201b
UNI2018
UNI2019
UNI201a
UNI201f
UNI201c
UNI201d
UNI201e
^
UNI5e
ª
UNIaa
º
UNIba
°
UNIb0
UNI2190
UNI2191
UNI2192
UNI2193
UNI2194
UNI2195
UNI2196
UNI2197
UNI2198
UNI2199
UNI2016
UNI25ca
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UNI60
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UNIa8
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UNIaf
´
UNIb4
¸
UNIb8
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UNI2c6
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UNI2c7
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UNI2d8
˙
UNI2d9
˚
UNI2da
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UNI2db
˜
UNI2dc
˝
UNI2dd
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UNI300
́
UNI301
̂
UNI302
̃
UNI303
̄
UNI304
̆
UNI306
̇
UNI307
̈
UNI308
̊
UNI30a
̋
UNI30b
̌
UNI30c
̒
UNI312
̦
UNI326
̧
UNI327
̨
UNI328
̷
UNI337
̸
UNI338
            Array
(
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    [id_men] => 112
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    [22] => 0000-00-00 00:00:00
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            [2] => Ambra Sans
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            [8] => <p>Designed by <strong>Cosimo Lorenzo Pancini&nbsp;</strong>with&nbsp;<strong>Francesco Canovaro&nbsp;</strong>as a development and reinvention of&nbsp;<strong>Tarif</strong> by&nbsp;<strong>Andrea Tartarelli</strong>, <strong>Ambra</strong>&nbsp;is a humanist sans typeface family, drawn around a lively, expressive skeleton but developed with a contemporary, post-digital sensibility that implies low contrast and tall x-height.</p>
<p>&nbsp;</p>
<p>In designing <strong>Ambra</strong>, the authors wanted to research the <strong>elusive</strong> <strong>natural signature</strong> of handmade humanist letter shapes, in the effort of preserving it while still developing all the capabilities of type as a technical tool in the digital age. Like a <strong>frail insect preserved in amber</strong>, humanist design is the "ghost in the machine" of this font, that aims at seducing the viewers with its <strong>soft, welcoming text flow</strong>, firmly opposing the rigid, formal tone of most sans serif fonts. Born to provide a useful tool to graphic designers with branding and editorial needs,</p>
<p>&nbsp;</p>
<p><strong>Ambra</strong> developes around <strong>two subfamilies</strong> with slight but fundamental differences. The <strong>display family</strong> offers a taller x-height, optimizing readability and spacing in headings and display use, while offering a single story lowercase g to provide more consistent branding usage. The <strong>text family</strong>, on the other side, goes for a smaller x-height to give more traditional proportion to the text and removes the slight tapering in the stems to provide better rendering on screen in small formats.</p>
<p>&nbsp;</p>
<p>Both subfamilies of Ambra develop around a <strong>wide range</strong> of <strong>seven weights</strong> with <strong>corresponding true italics</strong>, with <strong>Ambra Display</strong> sporting an extra heavy weight for maximum versatility. In total the family counts 30 fonts, each with over 600 glyphs for a wide language coverage. Open type features and glyph alternates further enrich the usage possibility of this typeface that wants to offer contemporary designer an alternative, unexpectedly <strong>human approach</strong> to contemporary sans type, softly preserving the <strong>spirit of handmade calligraphy</strong> while encasing its frail nature in a transparent, strong and powerful design language.</p>
            [desc1] => <p>Designed by <strong>Cosimo Lorenzo Pancini&nbsp;</strong>with&nbsp;<strong>Francesco Canovaro&nbsp;</strong>as a development and reinvention of&nbsp;<strong>Tarif</strong> by&nbsp;<strong>Andrea Tartarelli</strong>, <strong>Ambra</strong>&nbsp;is a humanist sans typeface family, drawn around a lively, expressive skeleton but developed with a contemporary, post-digital sensibility that implies low contrast and tall x-height.</p>
<p>&nbsp;</p>
<p>In designing <strong>Ambra</strong>, the authors wanted to research the <strong>elusive</strong> <strong>natural signature</strong> of handmade humanist letter shapes, in the effort of preserving it while still developing all the capabilities of type as a technical tool in the digital age. Like a <strong>frail insect preserved in amber</strong>, humanist design is the "ghost in the machine" of this font, that aims at seducing the viewers with its <strong>soft, welcoming text flow</strong>, firmly opposing the rigid, formal tone of most sans serif fonts. Born to provide a useful tool to graphic designers with branding and editorial needs,</p>
<p>&nbsp;</p>
<p><strong>Ambra</strong> developes around <strong>two subfamilies</strong> with slight but fundamental differences. The <strong>display family</strong> offers a taller x-height, optimizing readability and spacing in headings and display use, while offering a single story lowercase g to provide more consistent branding usage. The <strong>text family</strong>, on the other side, goes for a smaller x-height to give more traditional proportion to the text and removes the slight tapering in the stems to provide better rendering on screen in small formats.</p>
<p>&nbsp;</p>
<p>Both subfamilies of Ambra develop around a <strong>wide range</strong> of <strong>seven weights</strong> with <strong>corresponding true italics</strong>, with <strong>Ambra Display</strong> sporting an extra heavy weight for maximum versatility. In total the family counts 30 fonts, each with over 600 glyphs for a wide language coverage. Open type features and glyph alternates further enrich the usage possibility of this typeface that wants to offer contemporary designer an alternative, unexpectedly <strong>human approach</strong> to contemporary sans type, softly preserving the <strong>spirit of handmade calligraphy</strong> while encasing its frail nature in a transparent, strong and powerful design language.</p>
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            [14] => Curvy and stylish sans serif
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