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Codec Pro

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Codec Pro

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            [8] => <p><strong>Codec Pro</strong> is the newest incarnation of the&nbsp;<strong>Codec</strong> family, developed in 2017 by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli as a research on the subtleties and the variations on the theme of the geometric sans-serif design.</p>
<p>The original typeface has been completely redesigned and expanded to feature a wide range of eleven weights, from the hairline thin to the bulky fat, while the character set has been extended to include not only latin, cyrillic and greek but also arabic, farsi and urdu scripts.</p>
<p>A veritable swiss-knife for the designer, <strong>Codec Pro</strong> also includes a wide range of alternates and stylistic sets that cover all the subfamilies and the moods of the original type system. So while the standard set (<strong>Codec Cold</strong>) has terminals cut parallel or perpendicular to the baseline, emphasizing geometry for a more constructed look, stylistic set 4 (<strong>Codec Warm</strong>) uses open diagonal cuts and humanist shapes to give the typeface a gentler, warmer feeling. Set 3 (<strong>Codec Cold Logo</strong>) comes alive with funky ligatures, while Set 5 (<strong>Codec Warm Logo</strong>) stretches uppercase characters horizontally for a dynamic, unexpected effect.</p>
            [desc1] => <p><strong>Codec Pro</strong> is the newest incarnation of the&nbsp;<strong>Codec</strong> family, developed in 2017 by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli as a research on the subtleties and the variations on the theme of the geometric sans-serif design.</p>
<p>The original typeface has been completely redesigned and expanded to feature a wide range of eleven weights, from the hairline thin to the bulky fat, while the character set has been extended to include not only latin, cyrillic and greek but also arabic, farsi and urdu scripts.</p>
<p>A veritable swiss-knife for the designer, <strong>Codec Pro</strong> also includes a wide range of alternates and stylistic sets that cover all the subfamilies and the moods of the original type system. So while the standard set (<strong>Codec Cold</strong>) has terminals cut parallel or perpendicular to the baseline, emphasizing geometry for a more constructed look, stylistic set 4 (<strong>Codec Warm</strong>) uses open diagonal cuts and humanist shapes to give the typeface a gentler, warmer feeling. Set 3 (<strong>Codec Cold Logo</strong>) comes alive with funky ligatures, while Set 5 (<strong>Codec Warm Logo</strong>) stretches uppercase characters horizontally for a dynamic, unexpected effect.</p>
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