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            Array
(
    [0] => 7787
    [id] => 7787
    [1] => 112
    [id_men] => 112
    [2] => <p>Targa Pro_IMG - SB 1.0_Zetafonts P04</p>
    [titolo1] => <p>Targa Pro_IMG - SB 1.0_Zetafonts P04</p>
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    [22] => 0000-00-00 00:00:00
    [data] => 0000-00-00 00:00:00
    [23] => 0000-00-00 00:00:00
    [data2] => 0000-00-00 00:00:00
    [24] => 1_Targa Pro_IMG - SB 1.0_Zetafonts P04.png
    [img] => 1_Targa Pro_IMG - SB 1.0_Zetafonts P04.png
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        (
            [0] => 17
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            [1] => 42
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            [2] => Targa Pro
            [titolo1] => Targa Pro
            [3] => 
            [titolo2] => 
            [4] => 
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            [8] => <p dir="ltr">For many years license plates in Italy have been using a quite peculiar sans serif monospace typeface with slightly rounded corners and a geometric, condensed skeleton. These letterforms have been used by Cosimo Lorenzo Pancini as an inspiration for <strong>Targa</strong>, published as the first-ever Zetafonts typeface in 2003. Almost twenty years later, Francesco Canovaro has brought the project under scrutiny for a complete redesign, keeping its inventions, solving its issues, and making it into a versatile multi-weight typeface.&nbsp;</p>
<p dir="ltr">The original type family has been developed in two subfamilies:&nbsp;<strong>Targa Pro Mono</strong>&nbsp;(which keeps the original monospace widths) and&nbsp;<strong>Targa Pro Roman</strong>&nbsp;(with proportional widths), both in five weights plus italics. The original family also included the handmade version&nbsp;<strong>Targa Hand</strong><strong>&nbsp;</strong>which has been paired with a new&nbsp;<strong>Targa&nbsp;</strong><strong>Pro&nbsp;</strong><strong>Stencil</strong>&nbsp;to allow for more versatility and choice for display use. All weights of&nbsp;<strong>Targa Pro</strong> feature an extended latin character set covering over 200 languages, as well as a full set of Open Type features including positional numbers, alternates and stylistic sets.</p>
<p dir="ltr">Halfway between postmodern appropriation of utilitarian design and rationalist design,&nbsp;<strong>Targa Pro</strong>&nbsp;sits comfortably at the crossroads between artificial nostalgia and modernist functionality, ready to surprise the user with its versatility and quirky italian flavor.&nbsp;</p>
            [desc1] => <p dir="ltr">For many years license plates in Italy have been using a quite peculiar sans serif monospace typeface with slightly rounded corners and a geometric, condensed skeleton. These letterforms have been used by Cosimo Lorenzo Pancini as an inspiration for <strong>Targa</strong>, published as the first-ever Zetafonts typeface in 2003. Almost twenty years later, Francesco Canovaro has brought the project under scrutiny for a complete redesign, keeping its inventions, solving its issues, and making it into a versatile multi-weight typeface.&nbsp;</p>
<p dir="ltr">The original type family has been developed in two subfamilies:&nbsp;<strong>Targa Pro Mono</strong>&nbsp;(which keeps the original monospace widths) and&nbsp;<strong>Targa Pro Roman</strong>&nbsp;(with proportional widths), both in five weights plus italics. The original family also included the handmade version&nbsp;<strong>Targa Hand</strong><strong>&nbsp;</strong>which has been paired with a new&nbsp;<strong>Targa&nbsp;</strong><strong>Pro&nbsp;</strong><strong>Stencil</strong>&nbsp;to allow for more versatility and choice for display use. All weights of&nbsp;<strong>Targa Pro</strong> feature an extended latin character set covering over 200 languages, as well as a full set of Open Type features including positional numbers, alternates and stylistic sets.</p>
<p dir="ltr">Halfway between postmodern appropriation of utilitarian design and rationalist design,&nbsp;<strong>Targa Pro</strong>&nbsp;sits comfortably at the crossroads between artificial nostalgia and modernist functionality, ready to surprise the user with its versatility and quirky italian flavor.&nbsp;</p>
            [9] => 
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            [desc3] => 
            [11] => 
            [desc4] => 
            [12] => 
            [desc5] => 
            [13] => 
            [desc6] => 
            [14] => License Plate Italian Modernism
            [corp1] => License Plate Italian Modernism
            [15] => 
            [corp2] => 
            [16] => 
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            [corp4] => 
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            [20] => zetafonts
            [link] => zetafonts
            [21] => http://www.dafont.com/targa.font
            [email] => http://www.dafont.com/targa.font
            [22] => 2003-01-01 00:00:00
            [data] => 2003-01-01 00:00:00
            [23] => 0000-00-00 00:00:00
            [data2] => 0000-00-00 00:00:00
            [24] => 
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            [39] => Targa Pro_IMG - SB 1.0_T0000_p copy 4.png
            [dato0] => Targa Pro_IMG - SB 1.0_T0000_p copy 4.png
            [40] => targa.png
            [dato1] => targa.png
            [41] => 
            [dato2] => 
            [42] => Cosimo Lorenzo Pancini
            [dato3] => Cosimo Lorenzo Pancini
            [43] => 2.0
            [dato4] => 2.0
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            [dato7] => 
            [47] => header_targa.svg
            [dato8] => header_targa.svg
            [48] => 1.1
            [dato9] => 1.1
            [49] => Francesco Canovaro and Mario de Libero
            [dato10] => Francesco Canovaro and Mario de Libero
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            [60] => ss01: Sækja;  ss02: Oggi; ss03: Perly; ss04: Lally; ss05: Cyrus; ss06:-; ss08:-; ss09:-;  ss10:-; ss11:-; ss12:-; ss13:-; ordn:1a2o; case:-; frac:1/2 1/3;
            [dato21] => ss01: Sækja;  ss02: Oggi; ss03: Perly; ss04: Lally; ss05: Cyrus; ss06:-; ss08:-; ss09:-;  ss10:-; ss11:-; ss12:-; ss13:-; ordn:1a2o; case:-; frac:1/2 1/3;
            [61] => 6
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            [63] => #111
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            [79] => .styles li .letter2 img {height: 15vw}
#menu_secondario ul li.purchasing_bt .cart_drop_button a,
.cart_drop_button a{color:black}
body.bd .accordion .letter {
    line-height: 100%;
}
            [dato40] => .styles li .letter2 img {height: 15vw}
#menu_secondario ul li.purchasing_bt .cart_drop_button a,
.cart_drop_button a{color:black}
body.bd .accordion .letter {
    line-height: 100%;
}
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    [zebra] => odd
)

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