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            Array
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    [0] => 4511
    [id] => 4511
    [1] => 112
    [id_men] => 112
    [2] => Stinger poster
    [titolo1] => Stinger poster
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    [email] => 
    [22] => 0000-00-00 00:00:00
    [data] => 0000-00-00 00:00:00
    [23] => 0000-00-00 00:00:00
    [data2] => 0000-00-00 00:00:00
    [24] => stinger_IMG_cc_CLP_last-corrected_Zetafonts P13.png
    [img] => stinger_IMG_cc_CLP_last-corrected_Zetafonts P13.png
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        (
            [0] => 4377
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            [1] => 42
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            [2] => Stinger
            [titolo1] => Stinger
            [3] => 
            [titolo2] => 
            [4] => 
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            [titolo4] => 
            [6] => 
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            [8] => <p>Since their first appearance as <em>italians</em>&nbsp;<span style="color: #222222; font-family: sans-serif;">on the pages of the&nbsp;</span><span style="color: #222222; font-family: sans-serif;">1821&nbsp;</span><span style="color: #222222; font-family: sans-serif;">William&nbsp;</span>Caslon type specimens, <strong>reverse contrast typefaces</strong> have been typography's best loved quirky outcasts. Subverting the traditional relationship between thick verticals and thin horizontals made them perfect for eye-catching advertisements. The unexpected contrasts and the thick slabs produced by reverse-contrast serifs became ubiquitous in&nbsp;period posters, and synonymous with wild west and circus iconography.</p>
<p>In designing <strong>Stinger</strong>, the Zetafonts design team composed by <strong>Maria Chiara Fantini</strong>, <strong>Andrea Tartarelli</strong> and <strong>Francesco Canovaro</strong> and orchestrated by <strong>Cosimo Lorenzo Pancini</strong> decided to marry this subversive tradition with the <em>workhorse</em>&nbsp;approach of modernist sans serif typefaces like <em>Univers</em>, developing a super-family with four widths, each in five different weights, from <strong>thin</strong> to&nbsp;<strong>heavy</strong>. This gives the designer a full range of options for type setting, with the <strong>Normal</strong> and&nbsp;<strong>Fit</strong> widths providing two different text-sized alternatives, the&nbsp;<strong>wide</strong> width adding display and titling options and the&nbsp;<strong>Slim</strong>&nbsp;ready to deal with the space-saving necessities of extremely long texts. <strong>True italics</strong> have been added developed for all weights and variants, bringing the <strong>Stinger</strong> family to a total of 40&nbsp;fonts, with a l<strong>atin extended + russian cyrillic character</strong>&nbsp;<strong>set</strong> covering over 200 languages, and&nbsp;<strong>open type features</strong> including <strong>positional numbers</strong>, <strong>stylistic sets</strong> and <strong>alternate forms</strong>.&nbsp;</p>
<p>In the crowded panorama of contemporary grotesque typefaces, all aiming to stark geometric perfection, <strong>Stinger</strong> stands out with its bold choiches and strong personality.&nbsp;From the calligraphy-inspired terminals in the thin weights to the logo-ready&nbsp;sculptural approach in the heavy weights, each variant manages to look striking without forgetting the readability and flexibility lessons of modern reverse-contrast classics like those designed by Excoffon or Novarese. A&nbsp;<strong>variable version</strong>&nbsp;is included with the full family, allowing maximum flexibility and control for the designer over the wide range of expression capabilities of the&nbsp;<strong>Stinger</strong> super family.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
            [desc1] => <p>Since their first appearance as <em>italians</em>&nbsp;<span style="color: #222222; font-family: sans-serif;">on the pages of the&nbsp;</span><span style="color: #222222; font-family: sans-serif;">1821&nbsp;</span><span style="color: #222222; font-family: sans-serif;">William&nbsp;</span>Caslon type specimens, <strong>reverse contrast typefaces</strong> have been typography's best loved quirky outcasts. Subverting the traditional relationship between thick verticals and thin horizontals made them perfect for eye-catching advertisements. The unexpected contrasts and the thick slabs produced by reverse-contrast serifs became ubiquitous in&nbsp;period posters, and synonymous with wild west and circus iconography.</p>
<p>In designing <strong>Stinger</strong>, the Zetafonts design team composed by <strong>Maria Chiara Fantini</strong>, <strong>Andrea Tartarelli</strong> and <strong>Francesco Canovaro</strong> and orchestrated by <strong>Cosimo Lorenzo Pancini</strong> decided to marry this subversive tradition with the <em>workhorse</em>&nbsp;approach of modernist sans serif typefaces like <em>Univers</em>, developing a super-family with four widths, each in five different weights, from <strong>thin</strong> to&nbsp;<strong>heavy</strong>. This gives the designer a full range of options for type setting, with the <strong>Normal</strong> and&nbsp;<strong>Fit</strong> widths providing two different text-sized alternatives, the&nbsp;<strong>wide</strong> width adding display and titling options and the&nbsp;<strong>Slim</strong>&nbsp;ready to deal with the space-saving necessities of extremely long texts. <strong>True italics</strong> have been added developed for all weights and variants, bringing the <strong>Stinger</strong> family to a total of 40&nbsp;fonts, with a l<strong>atin extended + russian cyrillic character</strong>&nbsp;<strong>set</strong> covering over 200 languages, and&nbsp;<strong>open type features</strong> including <strong>positional numbers</strong>, <strong>stylistic sets</strong> and <strong>alternate forms</strong>.&nbsp;</p>
<p>In the crowded panorama of contemporary grotesque typefaces, all aiming to stark geometric perfection, <strong>Stinger</strong> stands out with its bold choiches and strong personality.&nbsp;From the calligraphy-inspired terminals in the thin weights to the logo-ready&nbsp;sculptural approach in the heavy weights, each variant manages to look striking without forgetting the readability and flexibility lessons of modern reverse-contrast classics like those designed by Excoffon or Novarese. A&nbsp;<strong>variable version</strong>&nbsp;is included with the full family, allowing maximum flexibility and control for the designer over the wide range of expression capabilities of the&nbsp;<strong>Stinger</strong> super family.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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            [23] => 0000-00-00 00:00:00
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            [24] => Stinger_Specimen - final.pdf
            [img] => Stinger_Specimen - final.pdf
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            [42] => Cosimo Lorenzo Pancini with Maria Chiara Fantini and Andrea Tartarelli
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