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Pangram
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Codec Pro ME Thin

Start from $ 43.3 (€ 39)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Codec Pro ME Extralight

Start from $ 43.3 (€ 39)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Codec Pro ME Light

Start from $ 43.3 (€ 39)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Codec Pro ME News

Start from $ 43.3 (€ 39)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Codec Pro ME Regular

Start from $ 43.3 (€ 39)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Codec Pro ME Bold

Start from $ 43.3 (€ 39)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Codec Pro ME Extrabold

Start from $ 43.3 (€ 39)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Codec Pro ME Heavy

Start from $ 43.3 (€ 39)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Codec Pro ME Ultra

Start from $ 43.3 (€ 39)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Codec Pro ME Ultra Black

Start from $ 43.3 (€ 39)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Codec Pro ME Fat

Start from $ 43.3 (€ 39)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Available Formats

Desktop Licenses

B
N

Extended Licenses

G
A
M
L

Scripts supported

Designed by Cosimo Lorenzo Pancini, Francesco Canovaro Version 0.1.2 / released in 2024
With Andrea Tartarelli (Latin), Oded Ezer (Hebrew), Omaima Dajani (Arabic)

Codec Pro ME is an extended version of our Codec Pro typeface, that provides language coverage for Middle Eastern countries, with extended Arabic and Hebrew glyphs. It developes the original Codec typeface created in 2017 by Cosimo Lorenzo Pancini, Francesco Canovaro and Andrea Tartarelli and features the same wide range of eleven weights, from the hairline-thin to the bulky fat, as well as the original extensive array of alternate glyphs and open type features. The Middle East extension has been realized in collaboration with Oded Ezer (who designed the Hebrew glyphs) and Omaima Dajani (who provided consulting on the Arabic glyphs). By seamlessly integrating diverse scripts, Codec Pro ME affirms the power of design to foster understanding, bridging gaps and creating connections through the universal language of typography.

SUPPORT 217 LANGUAGES  SHOW ALL HIDE ALL
English, Arabic, Spanish, Portuguese, French, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Hebrew, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük

Weights

  • C
    Thin
  • C
    Extralight
  • C
    Light
  • C
    News
  • C
    Regular
  • C
    Bold
  • C
    Extrabold
  • C
    Heavy
  • C
    Ultra
  • C
    Ultra Black
  • C
    Fat

Variable Typefaces

Codec Pro ME Variable

VARIABLE FONTS ARE ONLY AVAILABLE WITH THE FULL FAMILY PACKAGE, MAY NOT WORK WITH ALL THE SOFTWARE

Codec Pro ME Extrabold
CLICK ON TEXT TO EDIT

أنظمة الكتابة في الشرق الأوسط

Codec Pro ME Thin
CLICK ON TEXT TO EDIT

تفاعل لغوي بين العربية والعبرية يكشف عن تشابه الكلمات والروابط الثقافية والتأثيرات التاريخية في الشرق الأوسط

Codec Pro ME News
CLICK ON TEXT TO EDIT

في التفاعل اللغوي بين اللغة العبرية واللغة العربية، نكتشف تحفًة فريدة من الكلمات المشتركة والروابط الثقافية. في اللغة العربية، تأتي كلمة مَاعُون (māūn) التي تعني “مأوى، مأوى، أدوات”، من جذورها في العبرية מָעוֹן (māun). وتُعبِّر مفاهيم دينية بطريقة مشابهة؛ “جهنم” في العربية هي جَهَنَّم (jahannam)، مماثلة للعبرية גֵּיהִנּוֹם (gehinóm)، في إشارة إلى “وادي ابن هنوم”.ن علاوة على ذلك، يُعتقد أن مصطلح “الشيطان” في العربية، شَيْطَان (šayṭān)، يأتي من العبرية שָׂטָן (satán). يُلخِّص الاحتفال بعيد الفصح وعيد الفصح في كلمة عربية هي فِصْح (fiṣḥ)، متأصلة في العبرية פֶּסַח (pésach). كلمة عربية أخرى هي تَلْمُود (talmūd)، والتي تعني “التلمود”، وتشترك في جذورها مع العبرية תַּלְמוּד (talmúd)، ممثلة للجسر اللغوي بين اللغتين.ن وبشكل مثير للاهتمام، تعتمد اللغة العربية كلمة تِلْمِيذ (tilmīd) لتعني “الطالب” أو “التلميذ”، والتي تمت مشتقتها من نفس الجذر الذي يشير إلى “التلمود”، واستُعيرت إما من العبرية תַּלְמִיד‎ (talmīd) أو الآرامية תַּلְמִידָא‎ (talmīdā). ويظهر هذا الاقتراض بشكل يبدو أنه يحتفظ بقاعدة النطق “Begadkefat”، مع إبراز الدقة اللغوية.ن استكشاف أسماء عربية مستعارة من العبرية، مثل إِبْرَاهِيم (Ibrāhīm) من אַבְרָהָם (avrahám) (إبراهيم)، إِسْمَاعِيل (Ismāīl) من יִשְׁמָעֵאל (yishma’él) (إسماعيل)، و يُوسُف (yūsuf) من יוֹסֵף (yoséf) (يوسف)، يكشف عن التراث الثقافي المشترك في اللغة. تظهر هذه الرحلة اللغوية الروابط المستدامة بين العبرية والعربية، مكشوفة الجذور المشتركة والتفاعلات التاريخية التي شكلت المشهد اللغوي في الشرق الأوسط.

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            [8] => <p>Codec Pro ME is an extended version of our <strong>Codec Pro typeface</strong>, that provides language coverage for <strong>Middle Eastern countries</strong>, with extended <strong>Arabic</strong> and <strong>Hebrew</strong> glyphs. It developes the original Codec typeface created in 2017 by <strong>Cosimo Lorenzo Pancini</strong>, <strong>Francesco Canovaro</strong> and <strong>Andrea Tartarelli</strong> and features the same wide range of eleven weights, from the hairline-thin to the bulky fat, as well as the original extensive array of alternate glyphs and open type features. The Middle East extension has been realized in collaboration with <strong>Oded Ezer</strong> (who designed the Hebrew glyphs) and <strong>Omaima Dajani</strong> (who provided consulting on the Arabic glyphs). By seamlessly integrating diverse scripts, Codec Pro ME affirms the power of design to foster understanding, bridging gaps and creating connections through the universal language of typography.</p>
            [desc1] => <p>Codec Pro ME is an extended version of our <strong>Codec Pro typeface</strong>, that provides language coverage for <strong>Middle Eastern countries</strong>, with extended <strong>Arabic</strong> and <strong>Hebrew</strong> glyphs. It developes the original Codec typeface created in 2017 by <strong>Cosimo Lorenzo Pancini</strong>, <strong>Francesco Canovaro</strong> and <strong>Andrea Tartarelli</strong> and features the same wide range of eleven weights, from the hairline-thin to the bulky fat, as well as the original extensive array of alternate glyphs and open type features. The Middle East extension has been realized in collaboration with <strong>Oded Ezer</strong> (who designed the Hebrew glyphs) and <strong>Omaima Dajani</strong> (who provided consulting on the Arabic glyphs). By seamlessly integrating diverse scripts, Codec Pro ME affirms the power of design to foster understanding, bridging gaps and creating connections through the universal language of typography.</p>
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            [42] => Cosimo Lorenzo Pancini, Francesco Canovaro
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            [72] => أنظمة الكتابة في الشرق الأوسط
            [dato33] => أنظمة الكتابة في الشرق الأوسط
            [73] => تفاعل لغوي بين العربية والعبرية يكشف عن تشابه الكلمات والروابط الثقافية والتأثيرات التاريخية في الشرق الأوسط
            [dato34] => تفاعل لغوي بين العربية والعبرية يكشف عن تشابه الكلمات والروابط الثقافية والتأثيرات التاريخية في الشرق الأوسط
            [74] => في التفاعل اللغوي بين اللغة العبرية واللغة العربية، نكتشف تحفًة فريدة من الكلمات المشتركة والروابط الثقافية. في اللغة العربية، تأتي كلمة مَاعُون (māūn) التي تعني “مأوى، مأوى، أدوات”، من جذورها في العبرية מָעוֹן (māun). وتُعبِّر مفاهيم دينية بطريقة مشابهة؛ “جهنم” في العربية هي جَهَنَّم (jahannam)، مماثلة للعبرية גֵּיהִנּוֹם (gehinóm)، في إشارة إلى “وادي ابن هنوم”.ن
علاوة على ذلك، يُعتقد أن مصطلح “الشيطان” في العربية، شَيْطَان (šayṭān)، يأتي من العبرية שָׂטָן (satán). يُلخِّص الاحتفال بعيد الفصح وعيد الفصح في كلمة عربية هي فِصْح (fiṣḥ)، متأصلة في العبرية פֶּסַח (pésach). كلمة عربية أخرى هي تَلْمُود (talmūd)، والتي تعني “التلمود”، وتشترك في جذورها مع العبرية תַּלְמוּד (talmúd)، ممثلة للجسر اللغوي بين اللغتين.ن
وبشكل مثير للاهتمام، تعتمد اللغة العربية كلمة تِلْمِيذ (tilmīd) لتعني “الطالب” أو “التلميذ”، والتي تمت مشتقتها من نفس الجذر الذي يشير إلى “التلمود”، واستُعيرت إما من العبرية תַּלְמִיד‎ (talmīd) أو الآرامية תַּلְמִידָא‎ (talmīdā). ويظهر هذا الاقتراض بشكل يبدو أنه يحتفظ بقاعدة النطق “Begadkefat”، مع إبراز الدقة اللغوية.ن
استكشاف أسماء عربية مستعارة من العبرية، مثل إِبْرَاهِيم (Ibrāhīm) من אַבְרָהָם (avrahám) (إبراهيم)، إِسْمَاعِيل (Ismāīl) من יִשְׁמָעֵאל (yishma’él) (إسماعيل)، و يُوسُف (yūsuf) من יוֹסֵף (yoséf) (يوسف)، يكشف عن التراث الثقافي المشترك في اللغة.
تظهر هذه الرحلة اللغوية الروابط المستدامة بين العبرية والعربية، مكشوفة الجذور المشتركة والتفاعلات التاريخية التي شكلت المشهد اللغوي في الشرق الأوسط.
            [dato35] => في التفاعل اللغوي بين اللغة العبرية واللغة العربية، نكتشف تحفًة فريدة من الكلمات المشتركة والروابط الثقافية. في اللغة العربية، تأتي كلمة مَاعُون (māūn) التي تعني “مأوى، مأوى، أدوات”، من جذورها في العبرية מָעוֹן (māun). وتُعبِّر مفاهيم دينية بطريقة مشابهة؛ “جهنم” في العربية هي جَهَنَّم (jahannam)، مماثلة للعبرية גֵּיהִנּוֹם (gehinóm)، في إشارة إلى “وادي ابن هنوم”.ن
علاوة على ذلك، يُعتقد أن مصطلح “الشيطان” في العربية، شَيْطَان (šayṭān)، يأتي من العبرية שָׂטָן (satán). يُلخِّص الاحتفال بعيد الفصح وعيد الفصح في كلمة عربية هي فِصْح (fiṣḥ)، متأصلة في العبرية פֶּסַח (pésach). كلمة عربية أخرى هي تَلْمُود (talmūd)، والتي تعني “التلمود”، وتشترك في جذورها مع العبرية תַּלְמוּד (talmúd)، ممثلة للجسر اللغوي بين اللغتين.ن
وبشكل مثير للاهتمام، تعتمد اللغة العربية كلمة تِلْمِيذ (tilmīd) لتعني “الطالب” أو “التلميذ”، والتي تمت مشتقتها من نفس الجذر الذي يشير إلى “التلمود”، واستُعيرت إما من العبرية תַּלְמִיד‎ (talmīd) أو الآرامية תַּلְמִידָא‎ (talmīdā). ويظهر هذا الاقتراض بشكل يبدو أنه يحتفظ بقاعدة النطق “Begadkefat”، مع إبراز الدقة اللغوية.ن
استكشاف أسماء عربية مستعارة من العبرية، مثل إِبْرَاهِيم (Ibrāhīm) من אַבְרָהָם (avrahám) (إبراهيم)، إِسْمَاعِيل (Ismāīl) من יִשְׁמָעֵאל (yishma’él) (إسماعيل)، و يُوسُف (yūsuf) من יוֹסֵף (yoséf) (يوسف)، يكشف عن التراث الثقافي المشترك في اللغة.
تظهر هذه الرحلة اللغوية الروابط المستدامة بين العبرية والعربية، مكشوفة الجذور المشتركة والتفاعلات التاريخية التي شكلت المشهد اللغوي في الشرق الأوسط.
            [75] => 1.5
            [dato36] => 1.5
            [76] => 
            [dato37] => 
            [77] => <h1>The Journey of Codec ME</h1>
<p class="text font-9282" style="margin: 0px auto 45px; padding: 0px; border: 0px; outline: 0px; font-size: 21px; vertical-align: baseline; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; max-width: 700px; width: 700px; line-height: 1.6; color: #444444; font-family: typeface-text, alt-text, serif;" data-p-id="10">It took us a lot of work to understand that the very natural connection between geometry and letterforms that we can apply in Latin in the wake of the modernist tradition has different connotations and rules in non-Latin typeface design.&rdquo;Where is the x-height in Arabic?&rdquo; or &ldquo;What is the Arabic Futura?&rdquo; are tricky questions, and can lead to colonial practices, wrongly applying to Arabic typography to the rules of Latin design. We had to study a lot to avoid that, and we must thank <strong style="margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline; background: transparent;">Pascal Zoghbi</strong> from <strong style="margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline; background: transparent;">29LT</strong> for his&nbsp;of&nbsp;the complex nature of vertical&nbsp;references&nbsp;in Arabic and its relationship&nbsp;to the simple&nbsp;system of caps/x-height&nbsp;of Latin.</p>
<p class="image img-aligncenter" style="margin: 0px auto 45px; padding: 0px; border: 0px; outline: 0px; font-size: 21px; vertical-align: baseline; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; max-width: 100%; width: 1280px; text-align: center; line-height: 1.6; color: #444444; font-family: typeface-text, alt-text, serif;"><span style="margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline; background: transparent;"> <img class="size-full wp-image-1750 aligncenter" style="margin: 0px auto; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline; background: transparent; max-width: 100%; height: auto; display: block;" src="http://zetafonts.com/blog/wp-content/uploads/2021/02/Codec-Pro-Me-2024_Vertical-Metrics-Arabic.png" sizes="(max-width: 966px) 100vw, 966px" srcset="https://zetafonts.com/blog/wp-content/uploads/2021/02/Codec-Pro-Me-2024_Vertical-Metrics-Arabic.png 966w, https://zetafonts.com/blog/wp-content/uploads/2021/02/Codec-Pro-Me-2024_Vertical-Metrics-Arabic-300x141.png 300w, https://zetafonts.com/blog/wp-content/uploads/2021/02/Codec-Pro-Me-2024_Vertical-Metrics-Arabic-768x361.png 768w" alt="Codec Pro Me 2024_Vertical Metrics Arabic" width="966" height="454" /> </span></p>
            [dato38] => <h1>The Journey of Codec ME</h1>
<p class="text font-9282" style="margin: 0px auto 45px; padding: 0px; border: 0px; outline: 0px; font-size: 21px; vertical-align: baseline; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; max-width: 700px; width: 700px; line-height: 1.6; color: #444444; font-family: typeface-text, alt-text, serif;" data-p-id="10">It took us a lot of work to understand that the very natural connection between geometry and letterforms that we can apply in Latin in the wake of the modernist tradition has different connotations and rules in non-Latin typeface design.&rdquo;Where is the x-height in Arabic?&rdquo; or &ldquo;What is the Arabic Futura?&rdquo; are tricky questions, and can lead to colonial practices, wrongly applying to Arabic typography to the rules of Latin design. We had to study a lot to avoid that, and we must thank <strong style="margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline; background: transparent;">Pascal Zoghbi</strong> from <strong style="margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline; background: transparent;">29LT</strong> for his&nbsp;of&nbsp;the complex nature of vertical&nbsp;references&nbsp;in Arabic and its relationship&nbsp;to the simple&nbsp;system of caps/x-height&nbsp;of Latin.</p>
<p class="image img-aligncenter" style="margin: 0px auto 45px; padding: 0px; border: 0px; outline: 0px; font-size: 21px; vertical-align: baseline; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; max-width: 100%; width: 1280px; text-align: center; line-height: 1.6; color: #444444; font-family: typeface-text, alt-text, serif;"><span style="margin: 0px; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline; background: transparent;"> <img class="size-full wp-image-1750 aligncenter" style="margin: 0px auto; padding: 0px; border: 0px; outline: 0px; vertical-align: baseline; background: transparent; max-width: 100%; height: auto; display: block;" src="http://zetafonts.com/blog/wp-content/uploads/2021/02/Codec-Pro-Me-2024_Vertical-Metrics-Arabic.png" sizes="(max-width: 966px) 100vw, 966px" srcset="https://zetafonts.com/blog/wp-content/uploads/2021/02/Codec-Pro-Me-2024_Vertical-Metrics-Arabic.png 966w, https://zetafonts.com/blog/wp-content/uploads/2021/02/Codec-Pro-Me-2024_Vertical-Metrics-Arabic-300x141.png 300w, https://zetafonts.com/blog/wp-content/uploads/2021/02/Codec-Pro-Me-2024_Vertical-Metrics-Arabic-768x361.png 768w" alt="Codec Pro Me 2024_Vertical Metrics Arabic" width="966" height="454" /> </span></p>
            [78] => https://zetafonts.com/blog/the-journey-of-codec-me/
            [dato39] => https://zetafonts.com/blog/the-journey-of-codec-me/
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