Klein Thin
Klein Thin Italic
Klein ExtraLight
Klein ExtraLight Italic
Klein Light
Klein Light Italic
Klein Book
Klein Book Italic
Klein Regular
Klein Italic
Klein Medium
Klein Medium Italic
Klein Bold
Klein Bold Italic
Klein ExtraBold
Klein ExtraBold Italic
Klein Black
Klein Black Italic
Klein Condensed Thin
Klein Condensed Thin Italic
Klein Condensed ExtraLight
Klein Condensed Extralight Italic
Klein Condensed Light
Klein Condensed Light Italic
Klein Condensed Book
Klein Condensed Book Italic
Klein Condensed Regular
Klein Condensed Italic
Klein Condensed Medium
Klein Condensed Medium Italic
Klein Condensed Bold
Klein Condensed Bold Italic
Klein Condensed ExtraBold
Klein Condensed ExtraBold Italic
Klein Condensed Black
Klein Condensed Black Italic
Klein Text Thin
Klein Text Thin Italic
Klein Text ExtraLight
Klein Text ExtraLight Italic
Klein Text Light
Klein Text Light Italic
Klein Text Book
Klein Text Book Italic
Klein Text Regular
Klein Text Italic
Klein Text Medium
Klein Text Medium Italic
Klein Text Bold
Klein Text Bold Italic
Klein Text ExtraBold
Klein Text ExtraBold Italic
Klein Text Black
Klein Text Black Italic
Klein is Zetafonts love letter to the grandmother of all geometric sans typefaces, Futura. Starting from a dialogue with Paul Renner's iconic letterforms and proportions, Francesco Canovaro and Andrea Tartarelli decided to depart from its distinctive modernist shapes with slight humanist touches and grotesque solutions - with some design choices evoking the softness of humanist sans serifs like Gill Sans.
The end result is a workhorse superfamily of 54 fonts with full multilingual capabilities and coverage of over two hundred languages using latin, cyrillic and greek alphabets. The original display-oriented family, developed in nine weights with matching italics (from the hairline thin to the sturdy black), has been paired with a text version (with slightly higher x-height, better readability and maximum legibility at small point size) and with a condensed version, to be used for space-saving display solutions in editorial and advertising formats.
With a name that is both a nod to its humble functionality and an homage to french nouveau realiste artist Yves Klein, this typeface aims to become your next trusted companion in all your adventures in print, digital and motion design.
Features
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fi ffStandard Ligatures
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(HO!)Case-Sensitive Forms
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ABCDSmall Capitals From Capitals
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WagekStylistic Alternates
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geoSmall Capitals
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aefguStylistic Set 1
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GkyStylistic Set 2
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ij!?Stylistic Set 3
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BDEMLStylistic Set 4
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ßStylistic Set 5
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QKADCStylistic Set 6
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QKADCStylistic Set 7
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ij!?Stylistic Set 8
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ÄÜTitling
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12/23Fractions
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1a 3thOrdinals
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12360Oldstyle Figures
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1234Tabular Figures
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H123Alternate Annotation Forms
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H123Denominators
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H123Subscript
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H123Superscript
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H123Scientific Inferiors
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H123Numerators
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120Slashed Zero
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-> (C)special liga
Variable Typefaces
Klein Variable
VARIABLE FONTS ARE ONLY AVAILABLE WITH THE FULL FAMILY PACKAGE, MAY NOT WORK WITH ALL THE SOFTWARE
European languages
The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.