Body Text Slim Light
Body Text Slim Light Italic
Body Text Slim Regular
Body Text Slim Italic
Body Text Slim Bold
Body Text Slim Bold Italic
Body Text Slim Extrabold
Body Text Slim Extrabold Italic
Body Text Light
Body Text Light Italic
Body Text Regular
Body Text Italic
Body Text Bold
Body Text Bold Italic
Body Text Extrabold
Body Text Extrabold Italic
Body Text Fit Light
Body Text Fit Light Italic
Body Text Fit Regular
Body Text Fit Italic
Body Text Fit Bold
Body Text Fit Bold Italic
Body Text Fit Extrabold
Body Text Fit Extrabold Italic
Body Text Large Light
Body Text Large Light Italic
Body Text Large Regular
Body Text Large Italic
Body Text Large Bold
Body Text Large Bold Italic
Body Text Large Extrabold
Body Text Large Extrabold Italic
Body Grotesque Slim Light
Body Grotesque Slim Light Italic
Body Grotesque Slim Regular
Body Grotesque Slim Italic
Body Grotesque Slim Bold
Body Grotesque Slim Bold Italic
Body Grotesque Slim Extrabold
Body Grotesque Slim Extrabold Italic
Body Grotesque Light
Body Grotesque Light Italic
Body Grotesque Regular
Body Grotesque Italic
Body Grotesque Bold
Body Grotesque Bold Italic
Body Grotesque Extrabold
Body Grotesque Extrabold Italic
Body Grotesque Fit Light
Body Grotesque Fit Light Italic
Body Grotesque Fit Regular
Body Grotesque Fit Italic
Body Grotesque Fit Bold
Body Grotesque Fit Bold Italic
Body Grotesque Fit Extrabold
Body Grotesque Fit Extrabold Italic
Body Grotesque Large Light
Body Grotesque Large Light Italic
Body Grotesque Large Regular
Body Grotesque Large Italic
Body Grotesque Large Bold
Body Grotesque Large Bold Italic
Body Grotesque Large Extrabold
Body Grotesque Large Extrabold Italic
Body is a type family designed for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli. Conceived as a contemporary alternative to modernist superfamilies like Univers or Helvetica, Body tries to maximize text readability while providing a wide range of options for the designer. It comes in two variants (Body Text and Body Grotesque), each in four widths and four weights: regular and bold for basic typesetting, light and extrabold for display use.
Body Grotesque applies to the sans serif modernist skeleton little imperfections and quirks inspired by our research in early 20th century type specimens. Curves are slightly more calligraphic and a light inverse contrast is applied to bold weights, giving the typeface a slight vintage appearance in display use.
Body Text, on the contrary, challenges the modernist aesthetics maximizing horizontal lines and using open terminals for letters like "s" and "a" that appear normally dark in modernist grotesques. For both variants, the normal width family is slightly condensed in an effort to maximize space usage; the Slim width is provided for extremely dense texts or side notes while the Fit width is optimized for display usage as in logos, headings or titles. The Large width manages to look elegant in its light weight while becoming a valid heading or subtitle font in its extrabold weights.
All the 64 fonts in the Body superfamily include a complete latin extended character set with small caps for over seventy languages, russian cyrillic, open type positional numbers, stylist sets and alternate forms.
Features
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fl fi fkStandard Ligatures
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(HO!)Case-Sensitive Forms
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QagStylistic Alternates
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AbagoSmall Capitals
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12/23Fractions
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1a 3thOrdinals
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12360Oldstyle Figures
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1234Tabular Figures
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H123Alternate Annotation Forms
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H123Denominators
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H123Subscript
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H123Superscript
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H123Scientific Inferiors
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H123Numerators
European languages
The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
Styles
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aText Slim
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aText
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aText Fit
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aText Large
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aGrotesque Slim
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aGrotesque
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aGrotesque Fit
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aGrotesque Large