Radcliffe Light
Radcliffe Light Italic
Radcliffe Book
Radcliffe Book Italic
Radcliffe Regular
Radcliffe Italic
Radcliffe SemiBold
Radcliffe SemiBold Italic
Radcliffe Bold
Radcliffe Bold Italic
Radcliffe ExtraBold
Radcliffe ExtraBold Italic
Radcliffe Heavy
Radcliffe Heavy Italic
Radcliffe Text Light
Radcliffe Text Light Italic
Radcliffe Text Book
Radcliffe Text Book Italic
Radcliffe Text Regular
Radcliffe Text Italic
Radcliffe Text SemiBold
Radcliffe Text SemiBold Italic
Radcliffe Text Bold
Radcliffe Text Bold Italic
Radcliffe Casual Regular
Radcliffe Casual Bold
Radcliffe is a typeface family designed in 2018 by Cosimo Lorenzo Pancini and Andrea Tartarelli, as a reinvention of traditional clarendon design in search of a "contemporary classic" typeface look. Tailor made for elegance, Radcliffe features the strong bracketed serifs, vertical stress, and little contrast of clarendons, refined with a humanist touch and a calligraphic approach, obvious in the italics.
Primarily intended as a display typeface with a wide range of finely-tuned weights for editorial and logo-design uses, Radcliffe has been complemented by Radcliffe Text, developed in five weights with a taller x-height and slightly condensed proportions, allowing for maximum readablity in long texts on the web and at small size.
The family also includes the two funky weights of Radcliffe Casual, designed with a slight reverse contrast aestetics, perfect for your Country Club activities. All Radcliffe fonts include full open type features with stylistic alternates, discretionary ligatures, positional number forms, swash forms (in italics) and full language coverage fo +70 languages using latin and cyrillic alphabets.
Features
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{¿Do?}Case-Sensitive Forms
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stctDiscretionary Ligatures
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QagekyStylistic Alternates
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aStylistic Set 1
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12/23Fractions
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1a 3thOrdinals
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12360Oldstyle Figures
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1234Tabular Figures
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H123Denominators
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H123Subscript
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H123Superscript
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H123Scientific Inferiors
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H123Numerators
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120Slashed Zero
European languages
The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.