zetafonts

Aquawax Pro

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Created as a custom brand typeface in 2008 by Francesco Canovaro, Aquawax is one of Zetafonts most successful typefaces - having been chosen, among the others, by Warner Bros for the design of the logo for the Aquaman movie. Its logo design roots are obvious in the design details, from the blade-like tail of the Q and the fin-like right leg of the K to the intentionally reversed uppercase W, as well as the rounded edges softening the stark [...] Created as a custom brand typeface in 2008 by Francesco Canovaro, Aquawax is one of Zetafonts most successful typefaces - having been chosen, among the others, by Warner Bros for the design of the logo for the Aquaman movie. Its logo design roots are obvious in the design details, from the blade-like tail of the Q and the fin-like right leg of the K to the intentionally reversed uppercase W, as well as the rounded edges softening the stark modernist lettershapes. While this details make the typeface extremely suitable for logo and display design, especially in the bolder weights, the open, geometric forms of the letters and a generous x-height make it extremely readable at small sizes, making it perfect for body text and webfont use. In 2019 the family was completely redesigned by the Zetafonts team, expanding the original glyph set to include Cyrillic and Greek and adding three extra weights and italics to the original six weights, for a total of 27 weights (including 9 pictograms). The restored and revamped version, named Aquawax Pro, also includes full Open Type features for Positional Figures, Stylistic Alternates, Discretionary Ligatures and Small Caps, and adds to the typeface new alternate glyph shapes, accessible as Stylistic Alternates. Optimized for maximum screen readability, it covers over 200 languages that use the Latin, Cyrillic and Greek alphabet, with full range of accents and diacritics. NB: Original Aquawax styles are included in compatibility packs of matching weights.

Aquawax Pro • 28 styles + variable

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Adlibitum

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Designed by Francesco Canovaro, Adlibitum is a display typeface designed as a contemporary restyling of old textura medioeval script characters. It features a strong vertical accent and a geometric design, with 45 degrees angles and soft round corners. [...] Designed by Francesco Canovaro, Adlibitum is a display typeface designed as a contemporary restyling of old textura medioeval script characters. It features a strong vertical accent and a geometric design, with 45 degrees angles and soft round corners. It comes in three weights and features an extended character set with support for European languages, and open type support for ligatures.

Adlibitum • 3 styles

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Antipasto Pro

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Antipasto is a geometric sans serif font designed by Cosimo Lorenzo Pancini. The original family of three weights has been revised and expanded in 2017 with Antipasto Pro that now includes cyrillic and greek characters, open type features (small caps and old style numerals) and six new weights from the hairline to the extrabold. [...] Antipasto is a geometric sans serif font designed by Cosimo Lorenzo Pancini. The original family of three weights has been revised and expanded in 2017 with Antipasto Pro that now includes cyrillic and greek characters, open type features (small caps and old style numerals) and six new weights from the hairline to the extrabold. NOTICE: The Antipasto Pro license covers licensing for the original Antipasto fonts that are not supported anymore. The old versions can be found in the "compatibility packs" of the Regular, Extralight and Extrabold weights of Antipasto Pro.

Antipasto Pro • 17 styles

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Arista Pro

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Arista Pro is the definitive version of the successful Arista typeface, designed by Francesco Canovaro, first released in 2007 as Arista Z and then reissued as Arista 2.0 in 2010. The pro version of Arista features the geometric and soft approach of the original typeface but comes in a full range of weights and two alternate versions (Arista Pro Regular and Arista Pro alternate version). The typeface has been expanded with the inclusion of Greek [...] Arista Pro is the definitive version of the successful Arista typeface, designed by Francesco Canovaro, first released in 2007 as Arista Z and then reissued as Arista 2.0 in 2010. The pro version of Arista features the geometric and soft approach of the original typeface but comes in a full range of weights and two alternate versions (Arista Pro Regular and Arista Pro alternate version). The typeface has been expanded with the inclusion of Greek and Cyrillic alphabets as well as an extended range of latin characters. A companion icon typeface, Arista Pro Icon, has been developed, allowing for variable-width monoline icons that can be used to faultlessly match the typeface line width, up to semibold weight.

Arista Pro • 23 styles

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Aristotelica Pro

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Aristotelica Pro is the 2020 redesign of the rounded geometric sans designed by Cosimo Lorenzo Pancini and Andrea Tartarelli developing the original philosophy of one of the classic and best-selling Zetafonts typefaces, Arista by Francesco Canovaro, [...] Aristotelica Pro is the 2020 redesign of the rounded geometric sans designed by Cosimo Lorenzo Pancini and Andrea Tartarelli developing the original philosophy of one of the classic and best-selling Zetafonts typefaces, Arista by Francesco Canovaro, Originally conceived as an exercise in restraint and simplicity, Aristotelica is typographic eulogy to the simple beauty of circular shapes, aptly named after the greek philosopher who pioneered formal logic. It shows its strengths mostly in display uses and logo design, with a palette of moods ranging from the stark elegance of the uppercase hairline weights to the playful softness of the lowercase bold weights. True to its universalist calling, it has however been developed in a variant text version that applies slight corrections to design and metrics to allow for better legibility in long body copy. In Aristotelica Pro both the display and the text subfamilies have been complemented with a condensed version, though especially for mobile screens and other situations where space-saving is a concern. Also the original language coverage (extended latin, greek and cyrillic) has been expanded with the inclusion of arabic language glyphs, bringing the typeface to a total of over 1100 glyphs and 200 languages covered. The family is further enriched by the inclusion of Aristotelica Icons, a set of matching variable-width monoline icons that can be used to faultlessly match the typeface line width. Open type features includes stylistic alternates, old style and lining figures and small caps. Free upgrade to Pro version is available to all owners of a license for Aristotelica bought on Zetafonts website, just by re-logging to original download page.

Aristotelica Pro • 55 styles + variable

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Duepuntozero Pro

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Created as a logo typeface in 2004 by Francesco Canovaro, Duepuntozero is one of Zetafonts classic typefaces. A monolinear sans serif typeface with rounded corners and condensed proportions, strictly based on modular geometric design, it was at first designed in five weights to be used as a condensed companion typeface to the rounded display family Arista. In 2019 the family was entirely redesigned by the Zetafonts Team, expanding the original [...] Created as a logo typeface in 2004 by Francesco Canovaro, Duepuntozero is one of Zetafonts classic typefaces. A monolinear sans serif typeface with rounded corners and condensed proportions, strictly based on modular geometric design, it was at first designed in five weights to be used as a condensed companion typeface to the rounded display family Arista. In 2019 the family was entirely redesigned by the Zetafonts Team, expanding the original character set to include Cyrillic and greek glyphs and adding four extra weights and italics to the initial weight range. This restored and revamped version, named Duepuntozero Pro, also includes full Open Type features for positional figures, fractions, and Small Caps. With his rounded, minimal aesthetic, Duepuntozero embodies the desire for simplicity and playfulness of contemporary mobile applications, making it a perfect choice for gaming and app interface design. Its compact design allows for maximum space saving on mobile screens when used as a text typeface, while the strictly geometric design and the extreme range of weights (including thin and black) make it excel in the display, logo, and editorial use. A complementary set of free icons in the same range of font weights is provided to help designers build consistent branding through pictograms in infographics, interfaces, and editorial products.

Duepuntozero Pro • 29 styles + variable

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Iconic

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Iconic is a rounded condensed sans serif typeface designed by Andrea Tartarelli together with Cosimo Lorenzo Pancini and Francesco Canovaro at Zetafonts. It's a multi-purpose workhorse family designed for clear and effective editorial, interface and information design with minimum usage of space. The soft, rounded shapes are all derived from basic circular geometry, but slight humanist touches have been added to make the family look more [...] Iconic is a rounded condensed sans serif typeface designed by Andrea Tartarelli together with Cosimo Lorenzo Pancini and Francesco Canovaro at Zetafonts. It's a multi-purpose workhorse family designed for clear and effective editorial, interface and information design with minimum usage of space. The soft, rounded shapes are all derived from basic circular geometry, but slight humanist touches have been added to make the family look more informal and readable. With his slim, minimal aesthetic, Iconic embodies the spirit of contemporary tech, and the desire for an effortless, natural digital experience. The extensive range of weights allows both for text and display usage. In body copy Iconic excels in clarity from light to bold with a choice of medium and regular for text appearance fine tuning; in display use it allows endless design expressions with a range that goes from the hairline thin weight to the super-fat heavy, all with matching italics. To complement the basic, regular shapes of the Iconic family, a Stencil subfamily has been designed with a more aggressive technical look. Perfect for wayfinding, branding and interaction design, the six Stencil weights can also be used next to the base family for a rich textural approach to type setting. Both Iconic and Iconic Stencil feature an extended character set of over 1200 glyphs that covers over 220 languages using the Latin alphabet, as well as Greek and Russian Cyrillic. Open type features include small caps, positional figures, alternate letter forms, stylistic sets, arrows and extra punctuation and discretionary ligatures. A six-weight icon set, Iconic Pictograms, has been also developed in matching weights to the base family to allow maximum control over the design of digital interfaces using Iconic.

Iconic • 30 styles

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