Loading typefaces...
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[2] => Malik lang
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[24] => LENTISCAL_IMG - SB 3.0_Zetafonts P07.png
[img] => LENTISCAL_IMG - SB 3.0_Zetafonts P07.png
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[0] => 5232
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[1] => 42
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[2] => Malik
[titolo1] => Malik
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[8] => <p>Taking its name from the arabic word for "king", <strong>Malik</strong> <strong>is a flared sans serif</strong> typeface family designed in 2020 by <strong>Andrea Tartarelli</strong>. The designer wanted to find a way to bridge the <strong>classical letterforms</strong> of Roman Old Style typefaces with the readability of <strong>contemporary sans typefaces</strong>. This was achieved by using the <strong>so-called flared serif</strong> that emerges gradually from the stem of the letter, ending in a sharp angle. It's something that also reminds of the peculiar shapes of the Simoncini Method, invented by italian type designer Francesco Simoncini to get a sharper definition of letterforms. To this blend of <strong>classical elegance and modernist expertise</strong>, Malik adds the <strong>calligraphic influence of modern masters</strong> like Frederic Goudy or Ed Benguiat, visible in signature details like the reverse contrast uppercase B, or the calligraphic lowercase k.</p>
<p>Malik also means "owner", and this font surely wants to rule the page. It manages to be <strong>extremely readable when used in body text size</strong>, but looks surprising and <strong>expressive in display use</strong>. The inclusion of the Malik Heavy Display weight, with its black texture balanced by deep inktraps, allows for <strong>striking logo design</strong>. The weight range of the family is extremely wide, including a Book alternative to the Regular weight for fine-tuning readability, a range of light display weights and a solid choice of bold weights for branding, all coming with matching true italics. The <strong>16 cuts of Malik</strong> have been equipped with all the features you need to <strong>solve your editorial and design challenges</strong>, including a <strong>wide language coverage</strong> (thanks to over one thousand latin and cyrillic characters) and a <strong>complete set of open type features</strong> (including small capitals, positional numbers, case sensitive forms). <strong>Alternate characters and stylistic sets</strong> allow you to fine-tune your editorial and branding design by choosing variant letter shapes.</p>
<p>Malik is the typeface for everyone who wants to design like a king...or like he doesn't care who the king is!</p>
[desc1] => <p>Taking its name from the arabic word for "king", <strong>Malik</strong> <strong>is a flared sans serif</strong> typeface family designed in 2020 by <strong>Andrea Tartarelli</strong>. The designer wanted to find a way to bridge the <strong>classical letterforms</strong> of Roman Old Style typefaces with the readability of <strong>contemporary sans typefaces</strong>. This was achieved by using the <strong>so-called flared serif</strong> that emerges gradually from the stem of the letter, ending in a sharp angle. It's something that also reminds of the peculiar shapes of the Simoncini Method, invented by italian type designer Francesco Simoncini to get a sharper definition of letterforms. To this blend of <strong>classical elegance and modernist expertise</strong>, Malik adds the <strong>calligraphic influence of modern masters</strong> like Frederic Goudy or Ed Benguiat, visible in signature details like the reverse contrast uppercase B, or the calligraphic lowercase k.</p>
<p>Malik also means "owner", and this font surely wants to rule the page. It manages to be <strong>extremely readable when used in body text size</strong>, but looks surprising and <strong>expressive in display use</strong>. The inclusion of the Malik Heavy Display weight, with its black texture balanced by deep inktraps, allows for <strong>striking logo design</strong>. The weight range of the family is extremely wide, including a Book alternative to the Regular weight for fine-tuning readability, a range of light display weights and a solid choice of bold weights for branding, all coming with matching true italics. The <strong>16 cuts of Malik</strong> have been equipped with all the features you need to <strong>solve your editorial and design challenges</strong>, including a <strong>wide language coverage</strong> (thanks to over one thousand latin and cyrillic characters) and a <strong>complete set of open type features</strong> (including small capitals, positional numbers, case sensitive forms). <strong>Alternate characters and stylistic sets</strong> allow you to fine-tune your editorial and branding design by choosing variant letter shapes.</p>
<p>Malik is the typeface for everyone who wants to design like a king...or like he doesn't care who the king is!</p>
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[20] => zetafonts
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[22] => 2020-07-29 00:00:00
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[39] => Cover.png
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[40] => <p>. The designer wanted to find a way to bridge the <strong>classical letterforms</strong> of Roman Old Style typefaces with the readability of <strong>contemporary sans typefaces</strong>. This was achieved by using the <strong>so-called flared serif</strong> that emerges gradually from the stem of the letter, ending in a sharp angle. It's something that also reminds of the peculiar shapes of the Simoncini Method, invented by italian type designer Francesco Simoncini to get a sharper definition of letterforms. To this blend of <strong>classical elegance and modernist expertise</strong>, Malik adds the <strong>calligraphic influence of modern masters</strong> like Frederic Goudy or Ed Benguiat, visible in signature details like the reverse contrast uppercase B, or the calligraphic lowercase k.</p>
[dato1] => <p>. The designer wanted to find a way to bridge the <strong>classical letterforms</strong> of Roman Old Style typefaces with the readability of <strong>contemporary sans typefaces</strong>. This was achieved by using the <strong>so-called flared serif</strong> that emerges gradually from the stem of the letter, ending in a sharp angle. It's something that also reminds of the peculiar shapes of the Simoncini Method, invented by italian type designer Francesco Simoncini to get a sharper definition of letterforms. To this blend of <strong>classical elegance and modernist expertise</strong>, Malik adds the <strong>calligraphic influence of modern masters</strong> like Frederic Goudy or Ed Benguiat, visible in signature details like the reverse contrast uppercase B, or the calligraphic lowercase k.</p>
[41] =>
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[42] => Andrea Tartarelli
[dato3] => Andrea Tartarelli
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[47] => Malik Header-01.svg
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[58] => [smcp]abcdefghijklmnopqrstuvwxyzæœðþßáăắặằẳẵǎâấậầẩẫäạàảāąåǻãǽćčçĉċďđḍḏéĕěêếệềểễëėẹèẻēęẽğǧĝģġḡħḫĥḥíĭǐîïịìỉīįĩĵķĸĺľļŀḷḹḻłṃńňņṅṇṉñóŏǒôốộồổỗöọòỏơớợờởỡőōǫøǿõŕřŗṛṝṟśšşŝșṡṣŧťţțẗṭṯúŭǔûüǘǚǜǖụùủưứựừửữűūųůũẃŵẅẁýŷÿẏỵỳỷȳỹźžżẓ[ss01]BMPRYagṂŔŘŖṚṜṞÝŶŸẎỴỲỶȲỸáăắặằẳẵǎâấậầẩẫäạàảāąåǻãğǧĝģġḡ[ss02]GJUWyĞǦĜĢĠḠĴÚŬǓÛÜǗǙǛǕỤÙỦŰŪŲŮŨẂŴẄẀýŷÿẏỵỳỷȳỹ[ss03]ftwťţțẗṭṯẃŵẅẁ[titl]ÄÖÜ[case]¡¿(){}-–—‒«»‹›
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