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6 styles
Full Family
start from ¥9037.3 ¥22464.3 59%OFF
Pangram
Features
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Freehand Brush

Start from ¥ 3744 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Freehand Blockletter Regular

Start from ¥ 3744 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Freehand Blockletter Bold

Start from ¥ 3744 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Freehand Brush Easy

Start from ¥ 3744 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Freehand Icon Food

Start from ¥ 3744 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Freehand Icon UI

Start from ¥ 3744 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Available Formats

Desktop Licenses

B
N

Extended Licenses

G
A
M
L

Scripts supported

Freehand is a type system designed by Debora Manetti and Francesco Canovaro to emulate the natural appearance of handmade brush writing. Open type ligature substitutions are used to randomly alternate between different versions of each character to give the final output a realistic, uneven look. The main typeface of the system is a wide freestyle brush cursive, featuring over four hundreds of alternate version for characters and double letter ligatures. A "brush easy" version is included without the substitutions if you need more consistent look in your design and better control over letter variation through the glyph panel. The  SHOW ALL

Freehand is a type system designed by Debora Manetti and Francesco Canovaro to emulate the natural appearance of handmade brush writing. Open type ligature substitutions are used to randomly alternate between different versions of each character to give the final output a realistic, uneven look.

The main typeface of the system is a wide freestyle brush cursive, featuring over four hundreds of alternate version for characters and double letter ligatures.

A "brush easy" version is included without the substitutions if you need more consistent look in your design and better control over letter variation through the glyph panel.

The two freehand brush weights are complemented by two sets of icons of matching style, one for ui design with navigation icons and one with food icons.

The system also includes a blockletter family in two weights, to be used together with the other fonts to create variation and contrast in your design.

Freehand covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics.

SUPPORT 201 LANGUAGES  SHOW ALL HIDE ALL English, Spanish, Portuguese, French, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Cebuano, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Latvian, Silesian, Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Slovio (Latin), Volapük

Features

  • ll tt
    Standard Ligatures
  • goooogle
    random text
Features
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European languages

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The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.

Features
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The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.

Styles

  • u
    Brush
  • u
    Blockletter
  • u
    Icon Food
  • u
    Icon UI

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