zetafonts

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14 styles
Roman Pack
start from C$162.9 C$618.3 73%OFF
14 styles
Alternate Pack
start from C$162.9 C$618.3 73%OFF
14 styles
Antiqua Pack
start from C$162.9 C$618.3 73%OFF
6 styles
Text Pack
start from C$106.6 C$265 59%OFF
Pangram
CLICK ON TEXT TO EDIT

Arsenica Thin

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Thin Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Light

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Light Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Regular

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Medium

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Medium Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Demibold

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Demibold Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Bold

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Bold Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Extrabold

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Extrabold Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Alt Thin

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Alt Light

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Alt Regular

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Alt Medium

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Alt Demibold

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Alt Bold

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Alt Extrabold

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Antiqua Thin

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Antiqua Thin Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Antiqua Light

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Antiqua Light Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Antiqua Regular

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Antiqua Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Antiqua Medium

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Antiqua Medium Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Antiqua Demi Bold

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Antiqua Demibold Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Antiqua Bold

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Antiqua Bold Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Antiqua Extrabold

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Antiqua Extrabold Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Text Light

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Text Light Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Text Regular

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Text Regular Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Text Bold

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Arsenica Text Bold Italic

Start from C$ 44.1 (€ 29)
The conversion euro/dollar is updated every day using 'European Central Bank (www.ecb.europa.eu)' exchange rate. Paypal can apply a different exchange rate

Available Formats

Desktop Licenses

B
N

Extended Licenses

G
A
M
L

Scripts supported

Designed by Francesco Canovaro, Debora Manetti part of Love Bundle SET Version 1.1 / released in 2021
With Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini
Arsenica is a serif typeface designed by Francesco Canovaro for Zetafonts, and developed by a design team including Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini. The design of Arsenica takes its inspiration from italian poster design at the beginning of the century, a time where typography, lettering and illustration where closely interwoven. Dawning nationalist movements, rather than using the modernist language, pushed on traditional Old Style letterforms often imbued with Art Nouveau and Deco sensibility. Artists like Giorgio Muggiani not only illustrated posters for Cinzano, Pirelli and Rinascente, but also provided logo design for newspapers, like "Il Popolo d'Italia". Starting from this mix of eclectic influences, Canovaro first developed the Arsenica Antiqua family, designed as display typeface that keeps the original Old Style low-contrast, wide proportions and quirky stylistic inventions. These where then distilled in a high contrast, Arsenica Display family, expanding the weight range to include both poster, ultrabold weights and lighter weights that give the design a distinct calligraphic  SHOW ALL

Arsenica is a serif typeface designed by Francesco Canovaro for Zetafonts, and developed by a design team including Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini.

The design of Arsenica takes its inspiration from italian poster design at the beginning of the century, a time where typography, lettering and illustration where closely interwoven. Dawning nationalist movements, rather than using the modernist language, pushed on traditional Old Style letterforms often imbued with Art Nouveau and Deco sensibility. Artists like Giorgio Muggiani not only illustrated posters for Cinzano, Pirelli and Rinascente, but also provided logo design for newspapers, like "Il Popolo d'Italia".

Starting from this mix of eclectic influences, Canovaro first developed the Arsenica Antiqua family, designed as display typeface that keeps the original Old Style low-contrast, wide proportions and quirky stylistic inventions. These where then distilled in a high contrast, Arsenica Display family, expanding the weight range to include both poster, ultrabold weights and lighter weights that give the design a distinct calligraphic flavour. Bringing the letterforms into contemporary taste meant also developing alternate letterforms that were included in the Arsenica Alternate family, that drops the art nouveau details in favour of a more controlled modern serif aestethic. Finally, Arsenica Text was developed by expanding the design space in the optical size axis, creating a low contrast, strongly readable old style typeface family, with a reduced weight set, oriented for long body copy typesetting.

The final result is a superfamily of 41 weights, covering the design space with an expanded charset of over nine hundred glyphs, with full coverage of over two hundred languages using latin and cyrillic alphabets. All the weights of Arsenica come with a full set of open type features allowing to explore its vintage-inspired visual inventions thanks to stylistic sets, discretionary ligatures, contestual alternates and positional numbers. Two variable typefaces are included in the full family, allowing you to explore the design space and precisely control not only the weight but also the optical size design variations.

SUPPORT 216 LANGUAGES  SHOW ALL HIDE ALL
English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük

Weights

  • C
    Thin
  • C
    Light
  • C
    Regular
  • C
    Medium
  • C
    Demibold
  • C
    Bold
  • C
    Extrabold

Features

  • Quor
    Contextual Alternates
  • RIKI
    Discretionary Ligatures
  • wave
    Stylistic Set 2
  • ARQ
    Stylistic Set 3
  • gran
    Stylistic Set 4
  • gara
    Stylistic Set 5
  • ARK
    Stylistic Set 6
  • ava
    Stylistic Set 7
  • evyl
    Stylistic Set 8
  • &
    Stylistic Set 9
  • 1a2o
    Ordinals
  • 12360
    Oldstyle Figures
  • 120
    Slashed Zero

Variable Typefaces

Arsenica Italic Variable

VARIABLE FONTS ARE ONLY AVAILABLE WITH THE FULL FAMILY PACKAGE, MAY NOT WORK WITH ALL THE SOFTWARE

Arsenica Bold
CLICK ON TEXT TO EDIT

Arsenica: the eclectic languid serif

Arsenica Antiqua Thin
CLICK ON TEXT TO EDIT

Arsenica is a serif typeface designed by Francesco Canovaro for Zetafonts, and developed by a design team including Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini.

Arsenica Text Regular
CLICK ON TEXT TO EDIT

The design of Arsenica takes its inspiration from italian poster design at the beginning of the century, a time where typography, lettering and illustration where closely interwoven. Dawning nationalist movements, rather than using the modernist language, pushed on traditional Old Style letterforms often imbued with Art Nouveau and Deco sensibility. Artists like Giorgio Muggiani not only illustrated posters for Cinzano, Pirelli and Rinascente, but also provided logo design for newspapers, like "Il Popolo d'Italia". Starting from this mix of eclectic influences, Canovaro first developed the Arsenica Antiqua family, designed as display typeface that keeps the original Old Style low-contrast, wide proportions and quirky stylistic inventions. These where then distilled in a high contrast, Arsenica Display family, expanding the weight range to include both poster, ultrabold weights and lighter weights that give the design a distinct calligraphic flavour. Bringing the letterforms into contemporary taste meant also developing alternate letterforms that were included in the Arsenica Alternate family, that drops the art nouveau details in favour of a more controlled modern serif aestethic. Finally, Arsenica Text was developed by expanding the design space in the optical size axis, creating a low contrast, strongly readable old style typeface family, with a reduced weight set, oriented for long body copy typesetting. The final result is a superfamily of 41 weights, covering the design space with an expanded charset of over nine hundred glyphs, with full coverage of over two hundred languages using latin and cyrillic alphabets. All the weights of Arsenica come with a full set of open type features allowing to explore its vintage-inspired visual inventions thanks to stylistic sets, discretionary ligatures, contestual alternates and positional numbers. Two variable typefaces are included in the full family, allowing you to explore the design space and precisely control not only the weight but also the optical size design variations.

Styles

  • a
    roman
  • a
    Alt
  • a
    Antiqua
  • a
    Text

Unicode Charset:

A
UNI41
B
UNI42
C
UNI43
D
UNI44
E
UNI45
F
UNI46
G
UNI47
H
UNI48
I
UNI49
J
UNI4a
K
UNI4b
L
UNI4c
M
UNI4d
N
UNI4e
O
UNI4f
P
UNI50
Q
UNI51
R
UNI52
S
UNI53
T
UNI54
U
UNI55
V
UNI56
W
UNI57
X
UNI58
Y
UNI59
Z
UNI5a
Æ
UNIc6
Œ
UNI152
IJ
UNI132
UNI1e9e
Ð
UNId0
Ŋ
UNI14a
Þ
UNIde
Ɲ
UNI19d
Ə
UNI18f
a
UNI61
b
UNI62
c
UNI63
d
UNI64
e
UNI65
f
UNI66
g
UNI67
h
UNI68
i
UNI69
j
UNI6a
k
UNI6b
l
UNI6c
m
UNI6d
n
UNI6e
o
UNI6f
p
UNI70
q
UNI71
r
UNI72
s
UNI73
t
UNI74
u
UNI75
v
UNI76
w
UNI77
x
UNI78
y
UNI79
z
UNI7a
æ
UNIe6
œ
UNI153
ij
UNI133
ß
UNIdf
ð
UNIf0
ŋ
UNI14b
þ
UNIfe
ɲ
UNI272
ə
UNI259
ɑ
UNI251
ɡ
UNI261
À
UNIc0
Á
UNIc1
Â
UNIc2
Ǎ
UNI1cd
Ã
UNIc3
Ä
UNIc4
Ā
UNI100
Ă
UNI102
Å
UNIc5
Ą
UNI104
Ǻ
UNI1fa
Ǽ
UNI1fc
Ċ
UNI10a
Ć
UNI106
Ĉ
UNI108
Č
UNI10c
Ç
UNIc7
Đ
UNI110
Ď
UNI10e
UNI1e0c
UNI1e0e
È
UNIc8
É
UNIc9
Ê
UNIca
Ë
UNIcb
Ē
UNI112
Ĕ
UNI114
Ė
UNI116
Ě
UNI11a
UNI1ebc
Ę
UNI118
Ĝ
UNI11c
Ǧ
UNI1e6
Ġ
UNI120
Ğ
UNI11e
Ģ
UNI122
UNI1e20
Ħ
UNI126
Ĥ
UNI124
UNI1e24
UNI1e2a
Ì
UNIcc
Í
UNIcd
Î
UNIce
Ǐ
UNI1cf
Ĩ
UNI128
Ï
UNIcf
Ĭ
UNI12c
Ī
UNI12a
Į
UNI12e
İ
UNI130
Ĵ
UNI134
Ķ
UNI136
Ĺ
UNI139
Ļ
UNI13b
Ľ
UNI13d
UNI1e36
Ŀ
UNI13f
Ł
UNI141
UNI1e3a
UNI1e38
UNI1e42
Ń
UNI143
Ň
UNI147
Ñ
UNId1
UNI1e44
Ņ
UNI145
UNI1e46
UNI1e48
Ò
UNId2
Ó
UNId3
Ô
UNId4
Ǒ
UNI1d1
Õ
UNId5
Ö
UNId6
Ō
UNI14c
Ŏ
UNI14e
Ő
UNI150
Ǫ
UNI1ea
Ø
UNId8
Ǿ
UNI1fe
Ř
UNI158
Ŕ
UNI154
Ŗ
UNI156
UNI1e5a
UNI1e5e
UNI1e5c
Ś
UNI15a
Ŝ
UNI15c
Š
UNI160
UNI1e60
Ş
UNI15e
Ș
UNI218
UNI1e62
Ț
UNI21a
Ţ
UNI162
Ť
UNI164
Ŧ
UNI166
UNI1e6c
UNI1e6e
Ù
UNId9
Ú
UNIda
Û
UNIdb
Ǔ
UNI1d3
Ũ
UNI168
Ü
UNIdc
Ū
UNI16a
Ŭ
UNI16c
Ů
UNI16e
Ű
UNI170
Ų
UNI172
Ŵ
UNI174
UNI1e80
UNI1e82
UNI1e84
UNI1ef2
Ý
UNIdd
Ŷ
UNI176
Ÿ
UNI178
Ȳ
UNI232
UNI1e8e
Ź
UNI179
Ż
UNI17b
Ž
UNI17d
UNI1e92
UNI1eac
UNI1ec6
UNI1eb8
UNI1eca
UNI1ed8
UNI1ecc
Ǖ
UNI1d5
Ǘ
UNI1d7
Ǚ
UNI1d9
Ǜ
UNI1db
UNI1ee4
à
UNIe0
á
UNIe1
â
UNIe2
ǎ
UNI1ce
ã
UNIe3
ä
UNIe4
ā
UNI101
ă
UNI103
å
UNIe5
ą
UNI105
ǻ
UNI1fb
ǽ
UNI1fd
ċ
UNI10b
ć
UNI107
ĉ
UNI109
č
UNI10d
ç
UNIe7
ď
UNI10f
đ
UNI111
UNI1e0d
UNI1e0f
è
UNIe8
é
UNIe9
ê
UNIea
ë
UNIeb
ē
UNI113
ĕ
UNI115
ė
UNI117
ě
UNI11b
UNI1ebd
ę
UNI119
ĝ
UNI11d
ǧ
UNI1e7
ğ
UNI11f
ġ
UNI121
ģ
UNI123
UNI1e21
ħ
UNI127
ĥ
UNI125
UNI1e25
UNI1e2b
ì
UNIec
í
UNIed
î
UNIee
ǐ
UNI1d0
ĩ
UNI129
ï
UNIef
ĭ
UNI12d
ī
UNI12b
į
UNI12f
ı
UNI131
ȷ
UNI237
ĵ
UNI135
ķ
UNI137
ĸ
UNI138
ĺ
UNI13a
ļ
UNI13c
ľ
UNI13e
ŀ
UNI140
ł
UNI142
UNI1e37
UNI1e3b
UNI1e39
UNI1e43
ń
UNI144
ň
UNI148
ñ
UNIf1
UNI1e45
ņ
UNI146
UNI1e47
UNI1e49
ò
UNIf2
ó
UNIf3
ô
UNIf4
ǒ
UNI1d2
õ
UNIf5
ö
UNIf6
ō
UNI14d
ŏ
UNI14f
ő
UNI151
ǫ
UNI1eb
ø
UNIf8
ǿ
UNI1ff
ř
UNI159
ŕ
UNI155
ŗ
UNI157
UNI1e5b
UNI1e5f
UNI1e5d
ś
UNI15b
ŝ
UNI15d
š
UNI161
UNI1e61
ş
UNI15f
ș
UNI219
UNI1e63
ț
UNI21b
ţ
UNI163
ť
UNI165
ŧ
UNI167
UNI1e6d
UNI1e6f
UNI1e97
ù
UNIf9
ú
UNIfa
û
UNIfb
ǔ
UNI1d4
ũ
UNI169
ü
UNIfc
ū
UNI16b
ŭ
UNI16d
ů
UNI16f
ű
UNI171
ų
UNI173
ŵ
UNI175
UNI1e81
UNI1e83
UNI1e85
UNI1ef3
ý
UNIfd
ŷ
UNI177
ÿ
UNIff
ȳ
UNI233
UNI1e8f
ź
UNI17a
ż
UNI17c
ž
UNI17e
UNI1e93
UNI1ead
UNI1ea1
UNI1ec7
UNI1eb9
UNI1ecb
UNI1ed9
UNI1ecd
ǖ
UNI1d6
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            [8] => <p>Arsenica is a serif typeface designed by Francesco Canovaro for Zetafonts, and developed by a design team including Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini.</p>
<p>The design of Arsenica takes its inspiration from italian poster design at the beginning of the century, a time where typography, lettering and illustration where closely interwoven. Dawning nationalist movements, rather than using the modernist language, pushed on traditional Old Style letterforms often imbued with Art Nouveau and Deco sensibility. Artists like Giorgio Muggiani not only illustrated posters for Cinzano, Pirelli and Rinascente, but also provided logo design for newspapers, like "Il Popolo d'Italia".</p>
<p>Starting from this mix of eclectic influences, Canovaro first developed&nbsp;the <strong>Arsenica Antiqua</strong> family, designed as display typeface that keeps the original Old Style low-contrast, wide proportions and quirky stylistic inventions. These where then distilled in a high contrast, <strong>Arsenica Display&nbsp;</strong>family, expanding the weight range to include both poster, ultrabold weights and lighter weights that give the design a distinct calligraphic flavour. Bringing the letterforms into contemporary taste meant also developing alternate letterforms that were included in the<strong> Arsenica Alternate&nbsp;</strong>family, that drops the art nouveau details in favour of a more controlled modern serif aestethic. Finally,&nbsp;<strong>Arsenica Text</strong> was developed by expanding the design space in the optical size axis, creating a low contrast, strongly readable old style typeface family, with a reduced weight set, oriented for long body copy typesetting.</p>
<p>The final result is a superfamily of 41 weights, covering the design space with an expanded charset of over nine hundred glyphs, with full coverage of over two hundred languages using latin and&nbsp;<strong>cyrillic&nbsp;</strong>alphabets. All the weights of <strong>Arsenica</strong> come with a full set of open type features allowing to explore its vintage-inspired visual inventions thanks to <strong>stylistic sets,</strong> <strong>discretionary ligatures</strong>, <strong>contestual alternates&nbsp;</strong>and&nbsp;<strong>positional numbers</strong>. Two <strong>variable typefaces</strong> are included in the full family, allowing you to explore the design space and precisely control not only the weight but also the <strong>optical size</strong> design variations.</p>
            [desc1] => <p>Arsenica is a serif typeface designed by Francesco Canovaro for Zetafonts, and developed by a design team including Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini.</p>
<p>The design of Arsenica takes its inspiration from italian poster design at the beginning of the century, a time where typography, lettering and illustration where closely interwoven. Dawning nationalist movements, rather than using the modernist language, pushed on traditional Old Style letterforms often imbued with Art Nouveau and Deco sensibility. Artists like Giorgio Muggiani not only illustrated posters for Cinzano, Pirelli and Rinascente, but also provided logo design for newspapers, like "Il Popolo d'Italia".</p>
<p>Starting from this mix of eclectic influences, Canovaro first developed&nbsp;the <strong>Arsenica Antiqua</strong> family, designed as display typeface that keeps the original Old Style low-contrast, wide proportions and quirky stylistic inventions. These where then distilled in a high contrast, <strong>Arsenica Display&nbsp;</strong>family, expanding the weight range to include both poster, ultrabold weights and lighter weights that give the design a distinct calligraphic flavour. Bringing the letterforms into contemporary taste meant also developing alternate letterforms that were included in the<strong> Arsenica Alternate&nbsp;</strong>family, that drops the art nouveau details in favour of a more controlled modern serif aestethic. Finally,&nbsp;<strong>Arsenica Text</strong> was developed by expanding the design space in the optical size axis, creating a low contrast, strongly readable old style typeface family, with a reduced weight set, oriented for long body copy typesetting.</p>
<p>The final result is a superfamily of 41 weights, covering the design space with an expanded charset of over nine hundred glyphs, with full coverage of over two hundred languages using latin and&nbsp;<strong>cyrillic&nbsp;</strong>alphabets. All the weights of <strong>Arsenica</strong> come with a full set of open type features allowing to explore its vintage-inspired visual inventions thanks to <strong>stylistic sets,</strong> <strong>discretionary ligatures</strong>, <strong>contestual alternates&nbsp;</strong>and&nbsp;<strong>positional numbers</strong>. Two <strong>variable typefaces</strong> are included in the full family, allowing you to explore the design space and precisely control not only the weight but also the <strong>optical size</strong> design variations.</p>
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            [72] => Arsenica: the eclectic languid serif
            [dato33] => Arsenica: the eclectic languid serif
            [73] => Arsenica is a serif typeface designed by Francesco Canovaro for Zetafonts, and developed by a design team including Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini.
            [dato34] => Arsenica is a serif typeface designed by Francesco Canovaro for Zetafonts, and developed by a design team including Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini.
            [74] => The design of Arsenica takes its inspiration from italian poster design at the beginning of the century, a time where typography, lettering and illustration where closely interwoven. Dawning nationalist movements, rather than using the modernist language, pushed on traditional Old Style letterforms often imbued with Art Nouveau and Deco sensibility. Artists like Giorgio Muggiani not only illustrated posters for Cinzano, Pirelli and Rinascente, but also provided logo design for newspapers, like "Il Popolo d'Italia".

Starting from this mix of eclectic influences, Canovaro first developed the Arsenica Antiqua family, designed as display typeface that keeps the original Old Style low-contrast, wide proportions and quirky stylistic inventions. These where then distilled in a high contrast, Arsenica Display family, expanding the weight range to include both poster, ultrabold weights and lighter weights that give the design a distinct calligraphic flavour. Bringing the letterforms into contemporary taste meant also developing alternate letterforms that were included in the Arsenica Alternate family, that drops the art nouveau details in favour of a more controlled modern serif aestethic. Finally, Arsenica Text was developed by expanding the design space in the optical size axis, creating a low contrast, strongly readable old style typeface family, with a reduced weight set, oriented for long body copy typesetting.

The final result is a superfamily of 41 weights, covering the design space with an expanded charset of over nine hundred glyphs, with full coverage of over two hundred languages using latin and cyrillic alphabets. All the weights of Arsenica come with a full set of open type features allowing to explore its vintage-inspired visual inventions thanks to stylistic sets, discretionary ligatures, contestual alternates and positional numbers. Two variable typefaces are included in the full family, allowing you to explore the design space and precisely control not only the weight but also the optical size design variations.
            [dato35] => The design of Arsenica takes its inspiration from italian poster design at the beginning of the century, a time where typography, lettering and illustration where closely interwoven. Dawning nationalist movements, rather than using the modernist language, pushed on traditional Old Style letterforms often imbued with Art Nouveau and Deco sensibility. Artists like Giorgio Muggiani not only illustrated posters for Cinzano, Pirelli and Rinascente, but also provided logo design for newspapers, like "Il Popolo d'Italia".

Starting from this mix of eclectic influences, Canovaro first developed the Arsenica Antiqua family, designed as display typeface that keeps the original Old Style low-contrast, wide proportions and quirky stylistic inventions. These where then distilled in a high contrast, Arsenica Display family, expanding the weight range to include both poster, ultrabold weights and lighter weights that give the design a distinct calligraphic flavour. Bringing the letterforms into contemporary taste meant also developing alternate letterforms that were included in the Arsenica Alternate family, that drops the art nouveau details in favour of a more controlled modern serif aestethic. Finally, Arsenica Text was developed by expanding the design space in the optical size axis, creating a low contrast, strongly readable old style typeface family, with a reduced weight set, oriented for long body copy typesetting.

The final result is a superfamily of 41 weights, covering the design space with an expanded charset of over nine hundred glyphs, with full coverage of over two hundred languages using latin and cyrillic alphabets. All the weights of Arsenica come with a full set of open type features allowing to explore its vintage-inspired visual inventions thanks to stylistic sets, discretionary ligatures, contestual alternates and positional numbers. Two variable typefaces are included in the full family, allowing you to explore the design space and precisely control not only the weight but also the optical size design variations.
            [75] => 
            [dato36] => 
            [76] => 
            [dato37] => 
            [77] => 
            [dato38] => 
            [78] => 
            [dato39] => 
            [79] => 
            [dato40] => 
            [80] => 0
            [dato41] => 0
            [81] => 
            [dato42] => 
            [82] => 
            [dato43] => 
            [83] => 
            [dato44] => 
            [84] => 
            [dato45] => 
            [85] => 2
            [var_count] => 2
            [86] => 15
            [id_ute] => 15
            [87] => 0
            [id_admin] => 0
            [88] => 
            [id_site] => 
            [89] => 
            [admin_keys] => 
            [90] => 
            [tag_template] => 
            [91] => serif, vintage, italian, editorial, display, text, elegant, contemporary
            [tag_content] => serif, vintage, italian, editorial, display, text, elegant, contemporary
            [92] => 10
            [publish_status] => 10
            [93] => 2024-02-13 16:00:00
            [record_date] => 2024-02-13 16:00:00
            [94] => 6245
            [id_series1] => 6245
            [95] => 6251
            [id_series2] => 6251
            [96] => 6242
            [id_series3] => 6242
            [97] => 6241
            [id_series4] => 6241
            [98] => 6467
            [id_series5] => 6467
            [99] => 6463
            [id_series6] => 6463
            [100] => 0
            [discount_perc] => 0
            [101] => 43
            [totalfonts] => 43
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    [first] => 0
    [last] => 1
    [counter] => 21
    [zebra] => odd
)
   
        
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